by Stuart Harrison ‧ RELEASE DATE: Feb. 22, 1999
Broken people with troubled pasts but good hearts, along with a crippled animal rescued from a cruel hunter, bring about romance, emotional health, and happy endings for all (including the bird)—in a long, limp, unimaginative first novel set in the Canadian Northwest. Harrison’s story never gets too far ahead of the reader, and its characters remain fairly predictable from the start (all the women are attractive, good, and wise; all the men—except for a few bird lovers—drink and do harm). Michael stumbles home to Little River Bend from the wreckage of a broken marriage and a recently completed prison term. Soon after, he comes upon the fallen form of a rare gyr falcon, just wounded by drunken rascal Ellis, who is eager to get his hands on the $2,000 a taxidermist has promised him. Shunned by the townsfolk, Michael nurses the falcon back to health as Jamie, a mute neighbor boy traumatized by the death of his father, looks on. Jamie’s mother, Susan, is intrigued by the mysterious newcomer with the cloudy past, whose communion with both boy and bird seems magical. Eventually, Susan and Michael begin an affair, this in spite of complications brought about by Coop, the town cop, who loves Susan, and by Rachel, drunken rascal Ellis’s frustrated wife. Michael, natch, must release the bird to the wild and make peace with his death father; and Rachel must let go of her past in order to realize her love for Ellis. Predictably, Jamie, at a crucial moment, ceases being a mute, and the trio heads out of Little River Bend, their inner children calmed and their futures bright. A therapeutic formula well known to perusers of The Horse Whisperer, offering few variants on that well-worn storyline. The prose isn—t especially objectionable, but Harrison’s promise is dimmed by such an uninventive debut—though probably not his sales potential.
Pub Date: Feb. 22, 1999
ISBN: 0-312-20166-4
Page Count: 352
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 1999
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by Harper Lee ‧ RELEASE DATE: July 11, 1960
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
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BOOK REVIEW
by Harper Lee ; edited by Casey Cep
BOOK REVIEW
by Harper Lee
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SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
by Kristin Hannah ‧ RELEASE DATE: July 1, 2002
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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