Anagram would have been a more appropriate title for this jumbled mystery-suspenser by the usually reliable Woods (Grass Roots, etc,). As it is, the title refers to a pair of identical twins—and that's a puzzle in itself, since Keir and Hamish Drummond play a relatively minor role in the mixed-up goingson here. At center stage is plucky photographer Liz Barwick, whose entrance proves the story's dramatic highpoint as she staggers into an Atlanta hospital beaten and raped to near-death, a victim of the steroid-fueled rage of her football-star husband Baker Ramsey. While still in the hospital, Liz divorces Ramsey with the help of hotshot lawyer Al Schaefer; when she gets out, she retreats to Georgia's isolated Cumberland Island to begin a book of nature photographs. At this point, the plot forks into a tepid mystery and a thin southern gothic. The mystery, offering no suspense, involves an Atlanta homicide cop slowly deducing the obvious: that Ramsey, who has begun to kill people associated with Liz (attorney Schaefer is the first to go) is indeed a murderer and in fact plans to ice Liz as soon as he tracks her down. The gothic, offering no chills, does feature some curious characters—members of Cumberland Island's reigning Drummond clan, including dashing 91-year-old patriarch Angus and his handsome twin grandsons Keir and Hamish. Flirting with Angus, but falling in love with Keir, Liz wallows in local intrigue—who will inherit Angus's fortune? why do Keir and Hamish never show up together? who will the resident giant gator eat next?—even as Ramsey is bullying his way to the island for a final, corny, hurricane-set confrontation. Nice local color, but meandering and clumsy—and even Lois Lane could have figured out why the twins never appear together. Palindrome? Pap.
Pub Date: Jan. 1, 1991
ISBN: 06-017911-2
Page Count: -
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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