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SLEIGHT OF HAND

From the The Weir Chronicles series , Vol. 3

The plot thickens and danger mounts in the series’ best installment thus far.

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Revelations abound in this third volume of Duff’s (Off Beat, 2017, etc.) Weir Chronicles as erstwhile magician Ian Black learns that he may be just a pawn in someone else’s game.

Earth is in grave danger, as evil Duach leader Aeros is draining its core, causing worldwide storms and earthquakes. In his role as Pur Heir, Ian must fight these forces by drawing on his own supernatural connection to the Earth. A summons lures him to Africa, where an experiment with lightning supercharges his own “core”—the source of his powers. Then Aeros’ son Jaered, the Duach Heir, shoots him with a dart that causes his core to overheat, leaving him close to death. His only chance at survival is Rayne, the woman he loves but is unable to touch due to her unique power-draining abilities. She’s already moved out of Ian’s mansion, despairing of their relationship ever succeeding, but his friends persuade her to come back and attempt to drain his core completely, despite significant risks. Later, she travels to Thrae, the Weir’s home dimension, and is shocked to learn of the existence of another Heir from Ian’s mother, Gwynn, among other news. She and her sisters—Jaered’s mother, Sophenna, and rebel leader Eve—hatched a plan long ago to “bring down two tyrants and set our worlds back on an evolutionary track that should never have been tampered with.” Duff definitely hits her stride in this book, as several deep secrets come to light. A change of scenery to Thrae proves to be especially effective, giving the reader further insight into the Weir’s history and way of life. As Ian and Rayne’s romance takes a back seat, Rayne’s decision to attempt to heal him becomes a crucial turning point for them both. The new setting and plot developments are both surprising and compelling, and they bring fresh life to a series that had begun to run low on conflict. At the end, Duff leaves plenty of questions that readers will want to see answered in subsequent books.

The plot thickens and danger mounts in the series’ best installment thus far.

Pub Date: Dec. 14, 2015

ISBN: 978-0-9970156-0-7

Page Count: 348

Publisher: CrossWinds Publishing

Review Posted Online: May 9, 2017

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LONESOME DOVE

A NOVEL (SIMON & SCHUSTER CLASSICS)

This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.

Pub Date: June 1, 1985

ISBN: 068487122X

Page Count: 872

Publisher: Simon & Schuster

Review Posted Online: Sept. 30, 2011

Kirkus Reviews Issue: May 15, 1985

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DISTANT SHORES

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...

Another middle-aged mom in a muddle.

After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).

Pub Date: July 1, 2002

ISBN: 0-345-45071-X

Page Count: 352

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2002

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