by Susan Coll ‧ RELEASE DATE: Jan. 1, 2005
A modern comedy of manners that at times tries too hard to entertain.
Second-novelist Coll (karlmarx.com, 2000) energetically chronicles a soccer mom’s bumpy ride to tranquility as she deals with issues of finance, family, and self-esteem.
Our frazzled narrator, Jane Kramer, wife of Leon Kramer of Kramer’s Discount Furniture Store, is one of those women who are smart but fear they’re failing life: Jane is friendless, dislikes her job, money is tight, and her marriage is souring. She works at the family store with Leon and his old uncle Seymour because they can’t afford to pay outsiders—the merchandise is cheap and dated, someone is stealing from the till, and local preservationists are suing them for pulling down an allegedly historic barn when they rebuilt the store. Teenaged son Justin is into Goth music, dresses entirely in black, and has been suspended from school. Jane also suspects that Leon may be having an affair with voluptuous Delia, the furniture saleswoman advising them on how to improve business. Jane has taken to spending her lunch hour in the nearby graveyard on the Rockville Pike—a notorious Washington, DC, strip-mall highway—where F. Scott and Zelda Fitzgerald are buried. The graves could help business if, Delia suggests, they sell patio furniture with Fitzgerald associations. While Jane rereads the Fitzgerald novels to get ideas, she also becomes involved, through another soccer woman, in Memories Inc., a scrapbook merchandising system run, like Tupperware, out of homes. When Justin heads to New York without telling her, and Leon goes on a so-called business trip with Delia, Jane, in a panic, heads after them and has adventures of her own, including counseling a famous Washington trial lawyer and narrowly missing an encounter with thieves at the Plaza. By the close, though, a serendipitous series of events resolve misunderstandings and improve family fortunes, plus formerly hapless Jane no longer feels unloved and friendless.
A modern comedy of manners that at times tries too hard to entertain.Pub Date: Jan. 1, 2005
ISBN: 0-7432-4477-X
Page Count: 320
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 2004
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by Amy Tan ‧ RELEASE DATE: March 22, 1989
With lantern-lit tales of old China, a rich humanity, and an acute ear for bicultural tuning, a splendid first novel—one...
An inordinately moving, electric exploration of two warring cultures fused in love, focused on the lives of four Chinese women—who emigrated, in their youth, at various times, to San Francisco—and their very American 30-ish daughters.
Tan probes the tension of love and often angry bewilderment as the older women watch their daughters "as from another shore," and the daughters struggle to free themselves from maddening threads of arcane obligation. More than the gap between generations, more than the dwindling of old ways, the Chinese mothers most fear that their own hopes and truths—the secret gardens of the spirit that they have cultivated in the very worst of times—will not take root. A Chinese mother's responsibility here is to "give [my daughter] my spirit." The Joy Luck Club, begun in 1939 San Francisco, was a re-creation of the Club founded by Suyuan Woo in a beleaguered Chinese city. There, in the stench of starvation and death, four women told their "good stories," tried their luck with mah-jongg, laughed, and "feasted" on scraps. Should we, thought Suyuan, "wait for death or choose our own happiness?" Now, the Chinese women in America tell their stories (but not to their daughters or to one another): in China, an unwilling bride uses her wits, learns that she is "strong. . .like the wind"; another witnesses the suicide of her mother; and there are tales of terror, humiliation and despair. One recognizes fate but survives. But what of the American daughters—in turn grieved, furious, exasperated, amused ("You can't ever tell a Chinese mother to shut up")? The daughters, in their confessional chapters, have attempted childhood rebellions—like the young chess champion; ever on maternal display, who learned that wiles of the chessboard did not apply when opposing Mother, who had warned her: "Strongest wind cannot be seen." Other daughters—in adulthood, in crises, and drifting or upscale life-styles—tilt with mothers, one of whom wonders: "How can she be her own person? When did I give her up?"
With lantern-lit tales of old China, a rich humanity, and an acute ear for bicultural tuning, a splendid first novel—one that matches the vigor and sensitivity of Maxine Hong Kingston (The Warrior Woman, 1976; China Men, 1980) in her tributes to the abundant heritage of Chinese-Americans.Pub Date: March 22, 1989
ISBN: 0143038095
Page Count: -
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1989
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SEEN & HEARD
BOOK TO SCREEN
by Kristin Hannah ‧ RELEASE DATE: Jan. 31, 2012
Less bleak than the subject matter might warrant—Hannah’s default outlook is sunny—but still, a wrenching depiction of war’s...
The traumatic homecoming of a wounded warrior.
The daughter of alcoholics who left her orphaned at 17, Jolene “Jo” Zarkades found her first stable family in the military: She’s served over two decades, first in the army, later with the National Guard. A helicopter pilot stationed near Seattle, Jo copes as competently at home, raising two daughters, Betsy and Lulu, while trying to dismiss her husband Michael’s increasing emotional distance. Jo’s mettle is sorely tested when Michael informs her flatly that he no longer loves her. Four-year-old Lulu clamors for attention while preteen Betsy, mean-girl-in-training, dismisses as dweeby her former best friend, Seth, son of Jo’s confidante and fellow pilot, Tami. Amid these challenges comes the ultimate one: Jo and Tami are deployed to Iraq. Michael, with the help of his mother, has to take over the household duties, and he rapidly learns that parenting is much harder than his wife made it look. As Michael prepares to defend a PTSD-afflicted veteran charged with Murder I for killing his wife during a dissociative blackout, he begins to understand what Jolene is facing and to revisit his true feelings for her. When her helicopter is shot down under insurgent fire, Jo rescues Tami from the wreck, but a young crewman is killed. Tami remains in a coma and Jo, whose leg has been amputated, returns home to a difficult rehabilitation on several fronts. Her nightmares in which she relives the crash and other horrors she witnessed, and her pain, have turned Jo into a person her daughters now fear (which in the case of bratty Betsy may not be such a bad thing). Jo can't forgive Michael for his rash words. Worse, she is beginning to remind Michael more and more of his homicide client. Characterization can be cursory: Michael’s earlier callousness, left largely unexplained, undercuts the pathos of his later change of heart.
Less bleak than the subject matter might warrant—Hannah’s default outlook is sunny—but still, a wrenching depiction of war’s aftermath.Pub Date: Jan. 31, 2012
ISBN: 978-0-312-57720-9
Page Count: 400
Publisher: St. Martin's
Review Posted Online: Dec. 18, 2011
Kirkus Reviews Issue: Jan. 1, 2012
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