Once upon a time, a young girl, fleeing her wicked stepmother, runs away to live with her mysterious aunt and her blind grandmother and grows up to marry a handsome movie star. But, title notwithstanding, this is not part of any simple fairy tale—it's Moore's third novel, another lush and haunting Hawaiian lament. Clio Lynott, like Moore's earlier heroines—Lily in My Old Sweetheart (1982) and Mamie in The Whiteness of Bones (1989)—is a child cut adrift from her parents and deeply attuned to the mythology and exotic landscape of her homeland. In Clio's case, this affinity for all things Hawaiian is encouraged by her aunt Emma Fitzroy, who teaches her ``the long songs without rhyme called meles, the hulas and oral genealogies; the very history of her passing race.'' It is the weight of all this history that eventually causes Clio to escape into a loveless marriage with Tommy Haywood, a small-minded, big-time Hollywood star. For a while, Clio deceives herself, believing in happily ever after, but soon it becomes clear that not all Prince Charmings are created equal. Ultimately, though, it is Hawaii and all its history—her own history—that draws the aptly named Clio back home to stay with Emma and Mabel, her blind and ancient grandmother. As a heroine, Clio is sometimes a trifle wan, but her story is always vivid. Moore's writing, as ever, almost glows with tropical heat. The Hawaii we see here is enchanting, dangerous, and at the brink of being lost forever. Moore locates it permanently for us- -just midway between fever dream and fairy tale. (First printing of 35,000)
Pub Date: Sept. 15, 1993
ISBN: 0-394-58280-2
Page Count: 256
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1993
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
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