A well-researched, robust tale featuring an endearing executioner.
Alleyn (Palace of Justice, 2010, etc.), author of several historical mysteries set in France, fashions a dramatic tale based on an actual family of executioners in 18th-century Paris.
In a hereditary position as the son of the executioner, Charles Sanson is required to carry on the distasteful occupation first assigned to his great-grandfather or else be left disgraced and without a source of income. Although a necessary job to maintain discipline for the rulers of the Regime Ancien, the executioner was reviled, called a butcher and torturer by his countrymen. With few friends and a small pool of available women to wed, an executioner could be assured only of financial security and a restricted social life. When, due to his father’s illness, teenage Charles is forced to take over the role of master executioner of Paris, he struggles to find solace with family and then with women who don’t know his secret. When his lover learns of his true profession and abandons him, he rails: “I’ve nothing to be ashamed of! I’m a good Christian, a gentleman, the king’s servant, an officer of the law, and equal of any of them—I only follow orders the judges give me. Why should I be pointed out, hissed at, despised?” When his path intersects with that of François, a bright, high-spirited teenager of petty nobility with no money and little family, Charles realizes that his role as master executioner compels him to carry out horrific punishments on people whose crimes are often more political and vindictive than felonious. Charles realizes that, despite his father’s belief that they serve the law and avenge the innocent, he is “a tool of a regime that’s revealed itself to be corrupt, malicious, and brutal.” Yet Charles continues to carry out the duties of his hereditary post. No detail is spared in describing the heinous punishments demanded by the judiciary and the king. Alleyn’s exhaustive research pays off handsomely in well-drawn characters and colorful historical context. In particular, her female characters are refreshing in their range and willingness to defy stereotypes. A sequel would be welcome to this deftly imagined tale of the years before the French Revolution.
A well-researched, robust tale featuring an endearing executioner.Pub Date: Sept. 2, 2013
ISBN: 978-1492306795
Page Count: 348
Publisher: CreateSpace
Review Posted Online: Oct. 30, 2013
Kirkus Reviews Issue: Dec. 1, 2013
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
