A delightful story of intrigue and manipulation that shows how Henry really couldn’t control his kingdom.
Lipscomb (A Journey Through Tudor England: Hampton Court Palace and the Tower of London to Stratford-upon-Avon and Thornbury Castle, 2015, etc.) shows Henry VIII’s attempt to continue control over both church and state.
His last will, signed a month before his death, set forth the steps of succession beginning with his son, Edward. After arranging for possible children of his current and any future wives, he pronounced first Mary, then Elizabeth to be the next successors. In naming his son, he also stipulated that Edward’s heirs, or named successors, were primary. In another scenario, instead of naming the heirs of his sister, Margaret, he skipped to the heirs of the daughter of his sister, Mary: Frances Grey—i.e. Lady Jane Grey. In the 1540s, after war with the Scots, Henry arranged with Marie de Guise, James V’s widow, to wed her infant daughter Mary to his son Edward. However, de Guise had bigger plans for her daughter in France and renounced the match. Henry never forgave a slight, so Mary Queen of Scots was left out of the succession plans. Another of Henry’s stipulations was that Masses should be said for his soul. This was particularly artful, as he had dissolved monasteries whose members prayed for souls. Hedging his bets, Henry still left land and revenues for Masses and prayers to ensure his place in heaven. He designated more than a dozen executors and regents in hopes the transfer of power would be smooth. The author, who shows her deep knowledge of the Tudor period throughout the book, rejects the many charges that Henry’s will might have been changed or altered or that undue influence was used. It was treason to even suggest that the king might die. Afterward, the story was completely different, with Edward Seymour and Chief Secretary William Paget seizing control of the Regency and the kingdom.
A delightful story of intrigue and manipulation that shows how Henry really couldn’t control his kingdom.Pub Date: Dec. 20, 2016
ISBN: 978-1-68-177254-7
Page Count: 336
Publisher: Pegasus
Review Posted Online: Sept. 16, 2016
Kirkus Reviews Issue: Oct. 1, 2016
BOOK REVIEW
However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.
Maya Angelou is a natural writer with an inordinate sense of life and she has written an exceptional autobiographical narrative which retrieves her first sixteen years from "the general darkness just beyond the great blinkers of childhood."
Her story is told in scenes, ineluctably moving scenes, from the time when she and her brother were sent by her fancy living parents to Stamps, Arkansas, and a grandmother who had the local Store. Displaced they were and "If growing up is painful for the Southern Black girl, being aware of her displacement is the rust on the razor that threatens the throat." But alternating with all the pain and terror (her rape at the age of eight when in St. Louis With her mother) and humiliation (a brief spell in the kitchen of a white woman who refused to remember her name) and fear (of a lynching—and the time they buried afflicted Uncle Willie under a blanket of vegetables) as well as all the unanswered and unanswerable questions, there are affirmative memories and moments: her charming brother Bailey; her own "unshakable God"; a revival meeting in a tent; her 8th grade graduation; and at the end, when she's sixteen, the birth of a baby. Times When as she says "It seemed that the peace of a day's ending was an assurance that the covenant God made with children, Negroes and the crippled was still in effect."
However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.Pub Date: Feb. 1, 1969
ISBN: 0375507892
Page Count: 235
Publisher: Random House
Review Posted Online: May 14, 2012
Kirkus Reviews Issue: Feb. 1, 1969
SEEN & HEARD
IN THE NEWS
SEEN & HEARD
A boon for admirers of Oz’s work and contemporary Israeli literature in general.
A moving, emotionally charged memoir of the renowned author’s youth in a newly created Israel.
“Almost everyone in Jerusalem in those days,” writes novelist Oz (The Same Sea, 2001, etc.) of the 1940s, “was either a poet or a writer or a researcher or a thinker or a scholar or a world reformer.” Oz’s uncle Joseph Klausner, for instance, kept a 25,000-volume library in every conceivable language, its dusty volumes providing a madeleine for the young writer, “the smell of a silent, secluded life devoted to scholarship,” even as his grandmother contemplated the dusty air of the Levant and concluded that the region was full of germs, whence “a thick cloud of disinfecting spirit, soaps, creams, sprays, baits, insecticides, and powder always hung in the air.” His own father had to sell his beloved books in order to buy food when money was short, though he often returned with more books. (“My mother forgave him, and so did I, because I hardly ever felt like eating anything except sweetcorn and icecream.”) Out in the street, Oz meets a young Palestinian woman who is determined to write great poems in French and English; cats bear such names as Schopenhauer and Chopin; the walls of the city ring with music and learned debate. But then there is the dark side: the war of 1948, with its Arab Legion snipers and stray shells, its heaps of dead new emigrants fresh from the Holocaust. “In Nehemiah Street,” writes Oz, “once there was a bookbinder who had a nervous breakdown, and he went out on his balcony and screamed, Jews, help, hurry, soon they’ll burn us all.” In this heady, dangerous atmosphere, torn by sectarian politics and the constant threat of terror, Oz comes of age, blossoming as a man of letters even as the bookish people of his youth begin to disappear one by one.
A boon for admirers of Oz’s work and contemporary Israeli literature in general.Pub Date: Nov. 15, 2004
ISBN: 0-15-100878-7
Page Count: 544
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2004
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