It's too bad about the dogs, but they died for a good cause.
Ranked sixth on the Wall Street Journal's list of Best Places to Live, the fictional town of Littlefield, Massachusetts, is far from paradise.
First there are crude brown-paper signs—"Leash Your Beast Or Else"—stuck up around the park. Then there's a dead white bull mastiff, the first in a series of dogs to turn up poisoned. Dr. Clarice Watkins, a sociologist who's just moved to town to study "what must be the world's most psychologically policed and probably well-medicated population," soon realizes her subjects' supposed state of grace is under siege. She's causing a bit of a stir herself as a short, black woman who wears a turban and is believed to know the Obamas; she's invited to share her "tribal cuisine" at Celebrate Your Heritage Day. One of the more troubled residents in Watkins' study cohort is Julia Downing, the preteen daughter of a fraying marriage between a hypervigilant, bored mother (about to embark on an affair with the town's literary novelist) and a depressed, recently jobless dad. Their little girl is a bit of a sociologist herself. She keeps a popularity report on the seventh grade in which the top 10 shifts every day, but her own position remains at 73. For her history class, she's working on a survey of Littlefield, in which she counts 23 banks, 6 dog groomers, 4 yoga studios, 4 liquor stores, 1,146 psychotherapists, and 679 psychiatrists. For all her mother's helicoptering, Julia manages to get into some real scrapes. She falls through thin ice when trying to rescue a dog out on a wintry pond. Soon after, she screws up a babysitting job so badly that hospitalization and euthanasia are involved. These disasters have the perverse effect of making her a celebrity on social media. Berne (Missing Lucile, 2010, etc.), who won the Orange Prize for her first novel, A Crime in the Neighborhood (1997), is a sure hand at the dinner parties, school concerts, teacup tempests, and true moments of suspense that make a suburban comedy of manners par excellence.
It's too bad about the dogs, but they died for a good cause.Pub Date: Jan. 12, 2016
ISBN: 978-1-4767-9424-2
Page Count: 320
Publisher: Simon & Schuster
Review Posted Online: Sept. 22, 2015
Kirkus Reviews Issue: Oct. 1, 2015
Characters flip between bottomless self-regard and pitiless self-loathing while, as late as the second-to-last chapter, yet...
Four Chicago sisters anchor a sharp, sly family story of feminine guile and guilt.
Newcomer Lombardo brews all seven deadly sins into a fun and brimming tale of an unapologetically bougie couple and their unruly daughters. In the opening scene, Liza Sorenson, daughter No. 3, flirts with a groomsman at her sister’s wedding. “There’s four of you?” he asked. “What’s that like?” Her retort: “It’s a vast hormonal hellscape. A marathon of instability and hair products.” Thus begins a story bristling with a particular kind of female intel. When Wendy, the oldest, sets her sights on a mate, she “made sure she left her mark throughout his house—soy milk in the fridge, box of tampons under the sink, surreptitious spritzes of her Bulgari musk on the sheets.” Turbulent Wendy is the novel’s best character, exuding a delectable bratty-ness. The parents—Marilyn, all pluck and busy optimism, and David, a genial family doctor—strike their offspring as impossibly happy. Lombardo levels this vision by interspersing chapters of the Sorenson parents’ early lean times with chapters about their daughters’ wobbly forays into adulthood. The central story unfurls over a single event-choked year, begun by Wendy, who unlatches a closed adoption and springs on her family the boy her stuffy married sister, Violet, gave away 15 years earlier. (The sisters improbably kept David and Marilyn clueless with a phony study-abroad scheme.) Into this churn, Lombardo adds cancer, infidelity, a heart attack, another unplanned pregnancy, a stillbirth, and an office crush for David. Meanwhile, youngest daughter Grace perpetrates a whopper, and “every day the lie was growing like mold, furring her judgment.” The writing here is silky, if occasionally overwrought. Still, the deft touches—a neighborhood fundraiser for a Little Free Library, a Twilight character as erotic touchstone—delight. The class calibrations are divine even as the utter apolitical whiteness of the Sorenson world becomes hard to fathom.
Characters flip between bottomless self-regard and pitiless self-loathing while, as late as the second-to-last chapter, yet another pleasurable tendril of sisterly malice uncurls.Pub Date: June 25, 2019
ISBN: 978-0-385-54425-2
Page Count: 544
Publisher: Doubleday
Review Posted Online: March 3, 2019
Kirkus Reviews Issue: March 15, 2019
BOOK REVIEW
SEEN & HEARD
Another artistic triumph, and surefire bestseller, for this fearless writer.
This Afghan-American author follows his debut (The Kite Runner, 2003) with a fine risk-taking novel about two victimized but courageous Afghan women.
Mariam is a bastard. Her mother was a housekeeper for a rich businessman in Herat, Afghanistan, until he impregnated and banished her. Mariam’s childhood ended abruptly when her mother hanged herself. Her father then married off the 15-year-old to Rasheed, a 40ish shoemaker in Kabul, hundreds of miles away. Rasheed is a deeply conventional man who insists that Mariam wear a burqa, though many women are going uncovered (it’s 1974). Mariam lives in fear of him, especially after numerous miscarriages. In 1987, the story switches to a neighbor, nine-year-old Laila, her playmate Tariq and her parents. It’s the eighth year of Soviet occupation—bad for the nation, but good for women, who are granted unprecedented freedoms. Kabul’s true suffering begins in 1992. The Soviets have gone, and rival warlords are tearing the city apart. Before he leaves for Pakistan, Tariq and Laila make love; soon after, her parents are killed by a rocket. The two storylines merge when Rasheed and Mariam shelter the solitary Laila. Rasheed has his own agenda; the 14-year-old will become his second wife, over Mariam’s objections, and give him an heir, but to his disgust Laila has a daughter, Aziza; in time, he’ll realize Tariq is the father. The heart of the novel is the gradual bonding between the girl-mother and the much older woman. Rasheed grows increasingly hostile, even frenzied, after an escape by the women is foiled. Relief comes when Laila gives birth to a boy, but it’s short-lived. The Taliban are in control; women must stay home; Rasheed loses his business; they have no food; Aziza is sent to an orphanage. The dramatic final section includes a murder and an execution. Despite all the pain and heartbreak, the novel is never depressing; Hosseini barrels through each grim development unflinchingly, seeking illumination.
Another artistic triumph, and surefire bestseller, for this fearless writer.Pub Date: May 22, 2007
ISBN: 1-59448-950-5
Page Count: 336
Publisher: Riverhead
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 2007
BOOK TO SCREEN
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