by Suzanne Bloom & illustrated by Suzanne Bloom ‧ RELEASE DATE: March 1, 2009
In an airy riff on the evergreen idea behind, for instance, Antoinette Portis’s Not a Box (2006), an aardvark, an armadillo and an anteater explore some of the exciting possibilities in a carton labeled “My Time Machine.” Rolling up with a stack of books in tow, Sam thinks at first that her buddies Grant and Antoine have been “bamboozled” into trading 20 Yummy Gummys and a bag of Buggy Bonbons for a cardboard box. Still, she pitches in to help them attach a basketful of old toys and other “hoozie-doozies.” As a time machine the box turns out to be a total flop, but Sam sticks with it after her friends are distracted by her traveling library, and comes up with something far better. Bloom depicts these three would-be time travelers au naturel in her freely brushed illustrations, but places them amidst a fetching clutter of junk—and of books, which provide the key to Sam’s reader-satisfying solo project. A splendid use for a box, indeed. (Picture book. 6-8)
Pub Date: March 1, 2009
ISBN: 978-1-59078-527-0
Page Count: 32
Publisher: Boyds Mills
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 2009
Share your opinion of this book
More by Suzanne Bloom
BOOK REVIEW
by Suzanne Bloom ; illustrated by Suzanne Bloom
BOOK REVIEW
by Suzanne Bloom ; illustrated by Suzanne Bloom
BOOK REVIEW
by Suzanne Bloom ; illustrated by Suzanne Bloom
by Chris Van Allsburg & illustrated by Chris Van Allsburg ‧ RELEASE DATE: Oct. 28, 2002
A trite, knock-off sequel to Jumanji (1981). The “Jumanji” box distracts Walter Budwing away from beating up on his little brother Danny, but it’s Danny who discovers the Zathura board inside—and in no time, Earth is far behind, a meteor has smashed through the roof, and a reptilian Zyborg pirate is crawling through the hole. Each throw of the dice brings an ominous new development, portrayed in grainy, penciled freeze frames featuring sculptured-looking figures in constricted, almost claustrophobic settings. The angles of view are, as always, wonderfully dramatic, but not only is much of the finer detail that contributed to Jumanji’s astonishing realism missing, the spectacular damage being done to the Budwings’ house as the game progresses is, by and large, only glimpsed around the picture edges. Naturally, having had his bacon repeatedly saved by his younger sibling’s quick thinking, once Walter falls through a black hole to a time preceding the game’s start, his attitude toward Danny undergoes a sudden, radical transformation. Van Allsburg’s imagination usually soars right along with his accomplished art—but here, both are just running in place. (Picture book. 6-8)
Pub Date: Oct. 28, 2002
ISBN: 0-618-25396-3
Page Count: 32
Publisher: Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 2002
Share your opinion of this book
More by Chris Van Allsburg
BOOK REVIEW
by Chris Van Allsburg ; illustrated by Chris Van Allsburg
BOOK REVIEW
by Chris Van Allsburg & illustrated by Chris Van Allsburg
BOOK REVIEW
by Chris Van Allsburg & illustrated by Chris Van Allsburg
by P.L. Travers ; adapted by Amy Novesky ; illustrated by Geneviève Godbout ‧ RELEASE DATE: Oct. 23, 2018
Lovely and evocative, just the thing to spark an interest in the original and its sequels—and the upcoming film sequel, Mary...
Refined, spit-spot–tidy illustrations infuse a spare adaptation of the 1934 classic with proper senses of decorum and wonder.
Novesky leaves out much—the Bird Woman, Adm. Boom, that ethnically problematic world tour, even Mr. and Mrs. Banks—but there’s still plenty going on. Mary Poppins introduces Jane and Michael (their twin younger sibs are mentioned but seem to be left at home throughout) to the Match-Man and the buoyant Mr. Wigg, lets them watch Mrs. Corry and her daughters climb tall ladders to spangle the night sky with gilt stars, and takes them to meet the zoo animals (“Bird and beast, star and stone—we are all one,” says the philosophical bear). At last, when the wind changes, she leaves them with an “Au revoir!” (“Which means, Dear Reader, ‘to meet again.’ ”) Slender and correct, though with dangling forelocks that echo and suggest the sweeping curls of wind that bring her in and carry her away, Mary Poppins takes the role of impresario in Godbout’s theatrically composed scenes, bearing an enigmatic smile throughout but sharing with Jane and Michael (and even the parrot-headed umbrella) an expression of wide-eyed, alert interest as she shepherds them from one marvelous encounter to the next. The Corrys have brown skin; the rest of the cast presents white.
Lovely and evocative, just the thing to spark an interest in the original and its sequels—and the upcoming film sequel, Mary Poppins Returns, which opens in December 2018. (Picture book. 6-8)Pub Date: Oct. 23, 2018
ISBN: 978-1-328-91677-8
Page Count: 32
Publisher: HMH Books
Review Posted Online: Sept. 16, 2018
Kirkus Reviews Issue: Oct. 1, 2018
Share your opinion of this book
More by P.L. Travers
BOOK REVIEW
by P.L. Travers ; illustrated by Júlia Sardà
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Hey there, book lover.
We’re glad you found a book that interests you!
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Don’t fret. We’ll find you.