Trees don’t just stand there, Simard convincingly argues, but perceive, respond, connect, and converse.

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FINDING THE MOTHER TREE

DISCOVERING HOW THE FOREST IS WIRED FOR INTELLIGENCE AND HEALING

One of the world’s leading forest ecologists recounts her lifelong experimentation with tree-to-tree communication.

In this memoir/scientific exploration, Simard tells the fascinating story that led Richard Powers to base a character on her in his Pulitzer Prize–winning novel The Overstory. Simard focuses on her work probing the nature of forest society and how the constellation of various species tree hubs (in particular, “mother trees”) interacts with mycorrhizal (fungal) links to send chemical signals to each other. When she started in the early 1980s, this type of thinking was dismissed as New Age–y and nonscientific. However, growing up in the woods of western Canada, the author had practical experience studying the rejuvenation of clear-cuts, and she thought there was likely more going on with the trees, a complex and interconnected force that clear-cutting and subsequent monocultural reseeding was missing. Simard charts her yearslong inquiry into the underground wiring of trees, among a variety of species, as it advanced alongside the growth of her own family. These parallel, intimate stories are equally absorbing, and the author’s descriptions of the science involved in her pioneering research are consistently engaging. “Plants use their neural-like physiology to perceive their environment,” she writes. “Their leaves, stems, and roots sense and comprehend their surroundings, then alter their physiology—their growth, ability to forage for nutrients, photosyn­thetic rates, and closure rates of stomata for saving water.” The author is candid about the sexism she has confronted throughout her career as well as the academic beard-pulling over the originality of her scientific results—e.g., her early recognition of the effects of climate change or the “kin recognition from Mother Trees.” Though some readers may not appreciate Simard’s frequent anthropomorphism, the science is solid, and the author’s overarching theme of stewardship is clear, understandable, and necessary.

Trees don’t just stand there, Simard convincingly argues, but perceive, respond, connect, and converse.

Pub Date: May 4, 2021

ISBN: 978-0-525-65609-8

Page Count: 368

Publisher: Knopf

Review Posted Online: Jan. 28, 2021

Kirkus Reviews Issue: March 1, 2021

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Doyle offers another lucid, inspiring chronicle of female empowerment and the rewards of self-awareness and renewal.

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UNTAMED

More life reflections from the bestselling author on themes of societal captivity and the catharsis of personal freedom.

In her third book, Doyle (Love Warrior, 2016, etc.) begins with a life-changing event. “Four years ago,” she writes, “married to the father of my three children, I fell in love with a woman.” That woman, Abby Wambach, would become her wife. Emblematically arranged into three sections—“Caged,” “Keys,” “Freedom”—the narrative offers, among other elements, vignettes about the soulful author’s girlhood, when she was bulimic and felt like a zoo animal, a “caged girl made for wide-open skies.” She followed the path that seemed right and appropriate based on her Catholic upbringing and adolescent conditioning. After a downward spiral into “drinking, drugging, and purging,” Doyle found sobriety and the authentic self she’d been suppressing. Still, there was trouble: Straining an already troubled marriage was her husband’s infidelity, which eventually led to life-altering choices and the discovery of a love she’d never experienced before. Throughout the book, Doyle remains open and candid, whether she’s admitting to rigging a high school homecoming court election or denouncing the doting perfectionism of “cream cheese parenting,” which is about “giving your children the best of everything.” The author’s fears and concerns are often mirrored by real-world issues: gender roles and bias, white privilege, racism, and religion-fueled homophobia and hypocrisy. Some stories merely skim the surface of larger issues, but Doyle revisits them in later sections and digs deeper, using friends and familial references to personify their impact on her life, both past and present. Shorter pieces, some only a page in length, manage to effectively translate an emotional gut punch, as when Doyle’s therapist called her blooming extramarital lesbian love a “dangerous distraction.” Ultimately, the narrative is an in-depth look at a courageous woman eager to share the wealth of her experiences by embracing vulnerability and reclaiming her inner strength and resiliency.

Doyle offers another lucid, inspiring chronicle of female empowerment and the rewards of self-awareness and renewal.

Pub Date: March 10, 2020

ISBN: 978-1-9848-0125-8

Page Count: 352

Publisher: Dial Books

Review Posted Online: Dec. 22, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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A conversational, pleasurable look into McConaughey’s life and thought.

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GREENLIGHTS

All right, all right, all right: The affable, laconic actor delivers a combination of memoir and self-help book.

“This is an approach book,” writes McConaughey, adding that it contains “philosophies that can be objectively understood, and if you choose, subjectively adopted, by either changing your reality, or changing how you see it. This is a playbook, based on adventures in my life.” Some of those philosophies come in the form of apothegms: “When you can design your own weather, blow in the breeze”; “Simplify, focus, conserve to liberate.” Others come in the form of sometimes rambling stories that never take the shortest route from point A to point B, as when he recounts a dream-spurred, challenging visit to the Malian musician Ali Farka Touré, who offered a significant lesson in how disagreement can be expressed politely and without rancor. Fans of McConaughey will enjoy his memories—which line up squarely with other accounts in Melissa Maerz’s recent oral history, Alright, Alright, Alright—of his debut in Richard Linklater’s Dazed and Confused, to which he contributed not just that signature phrase, but also a kind of too-cool-for-school hipness that dissolves a bit upon realizing that he’s an older guy on the prowl for teenage girls. McConaughey’s prep to settle into the role of Wooderson involved inhabiting the mind of a dude who digs cars, rock ’n’ roll, and “chicks,” and he ran with it, reminding readers that the film originally had only three scripted scenes for his character. The lesson: “Do one thing well, then another. Once, then once more.” It’s clear that the author is a thoughtful man, even an intellectual of sorts, though without the earnestness of Ethan Hawke or James Franco. Though some of the sentiments are greeting card–ish, this book is entertaining and full of good lessons.

A conversational, pleasurable look into McConaughey’s life and thought.

Pub Date: Oct. 20, 2020

ISBN: 978-0-593-13913-4

Page Count: 304

Publisher: Crown

Review Posted Online: Oct. 27, 2020

Kirkus Reviews Issue: Dec. 1, 2020

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