A well-rounded cliffhanger of an opening to a series likely to engage fans of medieval-themed fantasy.
In the first installment of Benónýsson’s Invasion of the Ortaks fantasy series, a tale of political intrigue and unlikely camaraderie takes shape on the continent of Esthopia.
When Carl the Ranger is almost murdered by two foreign soldiers in the wilderness, it becomes clear that something sinister inhabits the otherwise peaceful Esthopian nation of Eniktronia. Saved in the nick of time by the battle-ready Princess Egny—the niece of Eniktronia’s King Haakon—Carl travels with her through the countryside, attacking the encampments of these dark-clad invaders. While lodged at an inn for the night, enemies posing as local tavern-goers make an attempt on her life. News of the attack reaches the king, who sends Sir Klaus eastward across the outlaw-riddled Bending Pass and into the country of Antonia to learn more about the assassination plot. As the knight makes his way, he and his team uncover a conspiracy that implicates even Eniktronia’s closest allies. What’s more, they confirm fears that inhabitants of Orknia, a southern land, separated from Esthopia by sea, have seized the port of Rutan and declared war on the continent. In the middle of this tumult, the team also helps Egny face the onus of royal responsibility when her grandfather, the king of Otanga, dies and leaves her a special inheritance. The novel, filled with well-wrought adventure, hosts a large cast, from the warm Asgrim to the foolhardy Gils, their back stories as attention-grabbing as the main narrative. We learn, for instance, the unsettling history of Christopher, a trader who freed two condemned slaves and joined forces with Klaus against the incoming Ortaks. Given its whirlwindlike pace, the plot’s speed sometimes comes at the expense of clarity but never so much as to obscure the essentials. Benónýsson convincingly sketches the lives of handfuls of Esthopians who, faced with the prospect of war with a brutal tribe and betrayal among their ranks, band together—building interest for the series’ next installment.
A well-rounded cliffhanger of an opening to a series likely to engage fans of medieval-themed fantasy.Pub Date: May 10, 2014
ISBN: 978-1-312-13310-5
Page Count: 164
Publisher: Lulu
Review Posted Online: July 29, 2015
Review Program: Kirkus Indie
BOOK REVIEW
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.
Pub Date: April 5, 1996
ISBN: 0-679-41224-7
Page Count: 304
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1996
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