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ONLY YESTERDAY

One of the finest novels of this century.

Never before available in English, a masterpiece of the picaresque by the Nobel laureate who is arguably the greatest novelist in modern Hebrew.

Fifty-five years after this epic tale’s initial publication, Harshav provides an eloquent translation, successfully capturing Agnon’s carefully nuanced and bitter humor. A nonentity, a schlemiel named Isaac Kumer, arrives in Palestine as one of the dreamy-eyed pioneers of the Second Aliyah, the wave of Jewish immigrants who, impelled by Zionist rhetoric, came to the barren precincts of the Holy Land late in the first decade of the 20th century. Isaac, like his fellows, wants to work the land, to walk behind a plow making a desert blossom, but the hapless, feckless young Galician ends up as an itinerant sign painter instead. Over the course of the novel he drifts between women, ideologies, and influences, a sort of filial figure "adopted'' by an entire range of Zionists, would-be socialists, and rabbis Orthodox and un-, not to mention the extraordinary Sonya, who introduces him to love and loss. Then Kumer, a holy fool of sorts, engages in a single act of childish horseplay, painting the words crazy dog on the side of a mongrel stray, that sets in motion the forces of his own destruction and simultaneously gives the work a daring, unpredictable second narrative focus. Agnon tells the story in a wildly shifting kaleidoscope of plotlines, syntaxes, tenses, and voices, with scathing satirical barbs that spare almost no one, including the author himself, leaping from third person to first-person plural to include his entire generation in Isaac's failings and foibles. Harshav's special achievement: she conveys brilliantly all of Agnon's impetuous leaps, poetic digressions, and wry satire (an achievement all the more admirable because she matches it in her translation of Amos Oz's essays on Agnon, p. 362).

One of the finest novels of this century.

Pub Date: May 1, 2000

ISBN: 0-691-00972-4

Page Count: 652

Publisher: Princeton Univ.

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: March 15, 2000

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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BETWEEN SISTERS

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...

Sisters in and out of love.

Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.

Pub Date: May 1, 2003

ISBN: 0-345-45073-6

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: April 1, 2003

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