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THE CRUCIBLE OF ACHILLES

A mixed bag, but this allegorical tale is definitely worth a read.

In this debut novel, Pepe offers an intriguing mixture of cage fighting and religion in an homage to Homer’s Iliad.

The story features a young protagonist whose real name is Achilles Jeannopoulos, but who goes by the nickname “Archie.” He’s a veteran of conflicts in Iraq and Afghanistan and a cage fighter who’s proud of his Greek-American heritage. In this tale that echoes the Iliad, he is, of course, a stand-in for his namesake warrior; his trainer and best friend, Byron, is Patroclus; his corner-man, Mackey, is Odysseus; the venal club owner, Joe, represents King Agamemnon; and Archie’s girlfriend, Meaghan, is Briseis. His archenemy in the cage is a man named Heckman (standing in for Hector). Archie is a good fighter and an endearing wise guy; he’s also religious, and the Upper Room Praise and Worship Church sponsors him as a fighter. Clearly, he’s a complex young man who’s afire with passion. Joe wants to set Archie up against Heckman to bring in the crowds, but Heckman is a professional fighter, powered by steroids, who’s merely slumming at the club, so Archie resists the club owner’s urgings. Then Archie discovers that he is suffering from an inoperable brain tumor. However, the church needs money desperately, so Byron, long retired, fights Heckman, hoping to win a fat purse. Later, Archie, who’s in the most fragile of health, takes on Heckman himself. Afterward, his tumor is bleeding and he’ll almost certainly die soon, so he sets off in his sailboat for his ancestral homeland, Greece, powered by rage and alcohol. Along the way, he has further adventures, including an apparent debate and standoff with Lucifer himself. This is a highly ambitious novel—and, for many readers, it may seem to be too ambitious. Indeed, it quickly becomes an overcrowded catchall for the author’s thoughts on a very wide range of subjects, including God and morality, mortality, heroism, and present-day culture, among many other topics. To that end, there are many mini-essays herein; overall, it feels like a young man’s novel—passionate but undisciplined—and as a result, it often seems overwritten. For example, when a sad Archie impulsively plucks a flower, he immediately regrets what he’s done to it, and in the very next paragraph, the flower is referred to as “slain foliage.” Sometimes, the text contains inventive grammar, such as “the work perspired him.” On the other hand, it’s hard not to like a book that works so hard to make its points, and Archie comes off as a genuinely likable smart aleck and hero-in-training. The exchanges between him and Meaghan are affecting, with her loving and insightful but frustrated, and him, often, as dense as a post. That said, some readers may want to throw up their hands when the drunk and dying Archie imprudently sets sail for Greece. In the end, though, it somehow all works—in part, because he doesn’t wind up in Greece, after all.

A mixed bag, but this allegorical tale is definitely worth a read.

Pub Date: April 6, 2016

ISBN: 978-0-692-65687-7

Page Count: 242

Publisher: Chopper Press

Review Posted Online: May 1, 2018

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THE THINGS WE DO FOR LOVE

Heartfelt, yes, but pretty routine.

Life lessons.

Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.

Heartfelt, yes, but pretty routine.

Pub Date: July 1, 2004

ISBN: 0-345-46750-7

Page Count: 400

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2004

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HOME FRONT

Less bleak than the subject matter might warrant—Hannah’s default outlook is sunny—but still, a wrenching depiction of war’s...

 The traumatic homecoming of a wounded warrior.

The daughter of alcoholics who left her orphaned at 17, Jolene “Jo” Zarkades found her first stable family in the military: She’s served over two decades, first in the army, later with the National Guard. A helicopter pilot stationed near Seattle, Jo copes as competently at home, raising two daughters, Betsy and Lulu, while trying to dismiss her husband Michael’s increasing emotional distance. Jo’s mettle is sorely tested when Michael informs her flatly that he no longer loves her. Four-year-old Lulu clamors for attention while preteen Betsy, mean-girl-in-training, dismisses as dweeby her former best friend, Seth, son of Jo’s confidante and fellow pilot, Tami. Amid these challenges comes the ultimate one: Jo and Tami are deployed to Iraq. Michael, with the help of his mother, has to take over the household duties, and he rapidly learns that parenting is much harder than his wife made it look. As Michael prepares to defend a PTSD-afflicted veteran charged with Murder I for killing his wife during a dissociative blackout, he begins to understand what Jolene is facing and to revisit his true feelings for her. When her helicopter is shot down under insurgent fire, Jo rescues Tami from the wreck, but a young crewman is killed. Tami remains in a coma and Jo, whose leg has been amputated, returns home to a difficult rehabilitation on several fronts. Her nightmares in which she relives the crash and other horrors she witnessed, and her pain, have turned Jo into a person her daughters now fear (which in the case of bratty Betsy may not be such a bad thing). Jo can't forgive Michael for his rash words. Worse, she is beginning to remind Michael more and more of his homicide client. Characterization can be cursory: Michael’s earlier callousness, left largely unexplained, undercuts the pathos of his later change of heart. 

Less bleak than the subject matter might warrant—Hannah’s default outlook is sunny—but still, a wrenching depiction of war’s aftermath.

Pub Date: Jan. 31, 2012

ISBN: 978-0-312-57720-9

Page Count: 400

Publisher: St. Martin's

Review Posted Online: Dec. 18, 2011

Kirkus Reviews Issue: Jan. 1, 2012

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