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LABYRINTH

A sober, unsensational "inside" account of the Orlando Letelier case, co-authored by the federal prosecutor who handled it from the day when the Chilean ex-diplomat and an assistant were killed by a car bomb in the middle of Washington, D.C. The title is apt. Sorting out the facts and running down leads (many of them bogus) took prosecutor Propper and a few determined FBI agents into a murky network of espionage and international terrorism, involving several bands of anti-Castro Cubans and the fight-wing Chile government's notorious secret police (DINA). Almost from the start, suspicion of involvement in the mechanics of the killing fell on members of a New Jersey-based Cuban exile group, and the guiding hand seemed to have been DINA's. But tying it all together took a year and a half. The key to the puzzle: a mysterious "blond Chilean"—named Juan Williams, or Kenneth Enyart, or Andres Wilson—who kept popping up at significant times. "Williams" turned out to be Michael Townley, an American-born high-level DINA assassin who specialized in state-of-the-art bombs and dabbled in biological weapons. Though the Chileans stonewalled and the international-relations bureaucracy cranked slowly, Propper Finally extradited Townley to the US where (reluctantly) the feds traded a ten-year sentence for his testimony against two Cuban exile defendants. Unfortunate footnotes: the Cuban defendants were ultimately acquitted at a second trial, two other implicated Cubans vanished, and the government imposed only wrist-slap sanctions on Chile. While Dinges and Landau's Assassination on Embassy Row (1980) covers the facts of the case ably and is stronger on the intricacies of Chilean politics, Propper and Branch provide more background on Townley (from interviews), and answer Dinges and Landau's lingering question (why did it take so long to crack the case?) with an unsettling, behind-the-scenes look at the lack of cooperation among U.S. government agencies that slowed the investigation and threatened at times to stymie it. Exhaustively researched, well-written, and spooky.

Pub Date: April 9, 1982

ISBN: 0140066837

Page Count: 660

Publisher: Viking

Review Posted Online: Oct. 10, 2011

Kirkus Reviews Issue: April 1, 1982

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CARRIE

King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these...

Figuratively and literally shattering moments of hoRRRRRipilication in Chamberlain, Maine where stones fly from the sky rather than from the hands of the villagers (as they did in "The Lottery," although the latter are equal to other forms of persecution).

All beginning when Carrie White discovers a gift with telekinetic powers (later established as a genetic fact), after she menstruates in full ignorance of the process and thinks she is bleeding to death while the other monsters in the high school locker room bait and bully her mercilessly. Carrie is the only child of a fundamentalist freak mother who has brought her up with a concept of sin which no blood of the Lamb can wash clean. In addition to a sympathetic principal and gym teacher, there's one girl who wishes to atone and turns her date for the spring ball over to Carrie who for the first time is happy, beautiful and acknowledged as such. But there will be hell to pay for this success—not only her mother but two youngsters who douse her in buckets of fresh-killed pig blood so that Carrie once again uses her "wild talent," flexes her mind and a complete catastrophe (explosion and an uncontrolled fire) virtually destroys the town.

King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these youngsters who once ate peanut butter now scrawl "Carrie White eats shit." But as they still say around here, "Sit a spell and collect yourself."

Pub Date: April 8, 1974

ISBN: 0385086954

Page Count: 216

Publisher: Doubleday

Review Posted Online: Sept. 26, 2011

Kirkus Reviews Issue: April 1, 1974

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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