A towering work of speculative fiction that will have readers rethinking what it means to be human.
This powerful cautionary tale mixes political satire and legal thrills in a near-future America where the existence of a Neanderthal threatens a government that has devolved into a “trailer park theocracy.”
When jaded Manhattan lawyer Raleigh is hired to represent a suspect accused of murdering a popular rap artist, he understands immediately that the case could interest Homeland Security. His client—nicknamed Blingbling—is described as a “crazy homeless retarded guy”; he has no Social Security number, license or Homeland passport. In a country where Patriot Amendments have been added to the Constitution to radically limit civil liberties and give Homeland Police unlimited jurisdiction over cases concerning national security, Raleigh knows that if Blingbling is involved in any terrorist activity, his own career—and his freedom—could be at stake. But the case becomes exponentially more complicated when a DNA test shows that Blingbling isn’t human: He’s a Neanderthal who, with the few others of his kind, has been secretly living in a “Nest” in an abandoned building in New York’s SoHo district. When, in an attempt to dismiss the case, Raleigh goes public with the revelation, he finds himself at the center of a national firestorm over the theory of evolution. “The mouth-breathers amended the Constitution just one step short of criminalizing modern science and here you go proving evolution,” Raleigh tells Blingbling. The political and social commentary throughout this unique novel is razor-sharp, as are uses of imagery and symbolism. The disturbing contrast of nonviolent, contemplative and deeply compassionate Blingbling to the brutality, apathy and ignorance of modern-day America is profoundly moving. One standout among many is a brilliant sequence in which Raleigh attends a bum fight—“illegal, but illegal the way whiskey was in 1924. And I make my living off the kind of people who in the Coolidge administration would have been meeting trawlers full of booze at midnight on the North Fork. Well, kind of like them. Just worse.”
A towering work of speculative fiction that will have readers rethinking what it means to be human.Pub Date: May 5, 2014
ISBN: 978-1936196333
Page Count: 200
Publisher: C&R Press
Review Posted Online: Sept. 11, 2014
Kirkus Reviews Issue: Nov. 1, 2014
Review Program: Kirkus Indie
BOOK REVIEW
PERSPECTIVES
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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