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UNCOMMON JUSTICE

The formulaic plot has room for two surprises, one of them a honey; the dewy-eyed characters, all earnest proponents of The...

A fledgling Boston lawyer quits her white-shoe firm for the real world, which here bears an uncanny resemblance to a network TV pilot.

Sitting on a park bench wondering what she's going to do about the dressing-down she's just gotten from the head of litigation, Mairead O'Clare is befriended by scruffy veteran attorney Sheldon Gold, who offers to let her an office in his place and throw some work her way. And bang! she's out of the gate on her first criminal case, the murder of homeless Zoran Draskovic, the self-styled "Old Man River" who was beaten to death on the bank of the Charles with a shillelagh belonging to Shel's pro bono client, who calls himself Alpha. Pseudonymous Devane, being a bit of a sentimentalist, makes Mairead an orphan raised by nuns and Shel a kindly older feller who does his best to cope with the wife who's been institutionalized after leaving their son in his stroller for just a minute and returning to find him gone; Shel's investigator, ex-cop Pontifico ("the Pope") Murizzi, refuses to work for any clients unless he's convinced they're innocent; and Alpha, when Mairead visits him in the jail she has to ask directions to, is calm, well-spoken, and a-twinkle with Irish charm. Refusing to cop a plea to a crime he didn't commit or, at first, to take part in his own defense, Alpha later tells the good souls turning over likely leads (a wealthy environmentalist whose boat Alpha had thrown stones at, a construction company he may have stolen building materials from, some college kids who once beat him up) that all will be revealed when he takes the stand, and eventually, he does.

The formulaic plot has room for two surprises, one of them a honey; the dewy-eyed characters, all earnest proponents of The Law As It Ought To Be, are less surprising than Perry Mason.

Pub Date: April 2, 2001

ISBN: 0-399-14717-9

Page Count: 320

Publisher: Putnam

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 2001

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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