Long-separated lovers reunite in a quiet Catskill Mountains resort town, but precious pretty prose and you-had-to-be-there nostalgia fail to set readers' hearts aflutter. Kay (To Dance with the White Dog, 1990) takes as his protagonist Bobo Murphy, an artist in his 50s who has spent all his life in the South—except for one memorable summer in 1955 when, as a recent high school graduate, he waited tables at the Pine Hill Inn in the Catskills' Shandaken Valley. For nearly five decades, Bobo has clung to his memories of that idyllic summer—the one time, he feels, when he was truly happy and alive. When he learns of the death of Avrum Feldman, Pine Hill's oldest eccentric and his close friend, Bobo grabs the chance to return to Pine Hill and have another look around. He is saddened to find that the old resort hotel and village, whose cultured German-Jewish visitors and clever, wisecracking employees had once seemed as exotic to this Georgia farmboy as Timbuktu, are now a seedy backwater, as barren and dull as his own life. Explorations of the town bring to mind Bobo's first encounters with old Avrum, whose romantic obsession with a famous opera singer inspired the 17-year-old Bobo to woo and almost win a beautiful young Jewish woman named Amy Lourie at the hotel. As he relives that passion, which ended when he returned south to marry a girl back home, Bobo is overwhelmed by regret. Luckily, Amy has also heard of Avrum's death. She appears, ready and willing to give Bobo a second chance at joy. Kay has a gift for evoking beauty in the mundane, but it's still hard to fall for a romantic hero named Bobo. (Literary Guild selection; film rights to Warner Bros.; author tour)
Pub Date: Oct. 1, 1994
ISBN: 0-671-89261-4
Page Count: 432
Publisher: Pocket
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1994
This is a masterly novel. It will appeal to all lovers of fiction of the first order.
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana.
The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense.
This is a masterly novel. It will appeal to all lovers of fiction of the first order.Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
IN THE NEWS
SEEN & HEARD
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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