A poetic but muddled love story of sorts.

TAKING LOTTIE HOME

Two turn-of-the-century ballplayers, cut from their team, encounter a backwoods goddess in rural Georgia. Beautiful Lottie Barton will love one, but marry the other.

Foster Lanier is a washed-up boozer with a cancerous sore that hinders him on the field, and will eventually require amputation of his leg. Ben Phelps is an athletically gifted small-town boy who fears being hit by the ball. Cast adrift, the two men fall in together on the road home, where they meet Lottie and admire her golden eyes and generously sexual nature. When Foster rescues her from the sleazy salesman who's been trying to become her pimp (a useless endeavor, since Lottie prefers to give it away), the three work at a traveling carnival. After young Ben is viciously beaten by a mob one night, though, the friends part ways: Ben returns to the dry-goods emporium where he used to work, a store founded by the father of his true love and future wife, plucky little Sally . . . but only after he nobly refuses the charms of Lottie. Eventually, Foster marries Lottie and—after a stint in a freak show made up of severely injured or deformed athletes who play exhibition games of a sort—the dying man hands off Lottie and their small son to Ben. He takes her home to meet his lonely father-in-law; she becomes his lover. And so it goes. Kay (The Runaway, 1997, etc.) tends to rely on archetypes—the Whore With a Heart of Gold, the Pure Youth, the Girl He Left Behind, etc.—and he floats off into elegiac nonsense about baseball all too often. Nonetheless, he evokes these unsung lives with remarkable tenderness.

A poetic but muddled love story of sorts.

Pub Date: Oct. 1, 2000

ISBN: 0-688-17646-1

Page Count: 304

Publisher: Morrow/HarperCollins

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Aug. 15, 2000

Did you like this book?

No Comments Yet

THE COLDEST WINTER EVER

Debut novel by hip-hop rap artist Sister Souljah, whose No Disrespect (1994), which mixes sexual history with political diatribe, is popular in schools country-wide. In its way, this is a tour de force of black English and underworld slang, as finely tuned to its heroine’s voice as Alice Walker’s The Color Purple. The subject matter, though, has a certain flashiness, like a black Godfather family saga, and the heroine’s eventual fall develops only glancingly from her character. Born to a 14-year-old mother during one of New York’s worst snowstorms, Winter Santiaga is the teenaged daughter of Ricky Santiaga, Brooklyn’s top drug dealer, who lives like an Arab prince and treats his wife and four daughters like a queen and her princesses. Winter lost her virginity at 12 and now focuses unwaveringly on varieties of adolescent self-indulgence: sex and sugar-daddies, clothes, and getting her own way. She uses school only as a stepping-stone for getting out of the house—after all, nobody’s paying her to go there. But if there’s no money in it, why go? Meanwhile, Daddy decides it’s time to move out of Brooklyn to truly fancy digs on Long Island, though this places him in the discomfiting position of not being absolutely hands-on with his dealers; and sure enough the rise of some young Turks leads to his arrest. Then he does something really stupid: he murders his wife’s two weak brothers in jail with him on Riker’s Island and gets two consecutive life sentences. Winter’s then on her own, especially with Bullet, who may have replaced her dad as top hood, though when she selfishly fails to help her pregnant buddy Simone, there’s worse—much worse—to come. Thinness aside: riveting stuff, with language so frank it curls your hair. (Author tour)

Pub Date: April 1, 1999

ISBN: 0-671-02578-3

Page Count: 320

Publisher: Pocket

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Feb. 1, 1999

Did you like this book?

The phrase “tour de force” could have been invented for this audacious novel.

Our Verdict

  • Our Verdict
  • GET IT

  • Kirkus Reviews'
    Best Books Of 2015

  • Kirkus Prize
  • Kirkus Prize
    winner

  • National Book Award Finalist

A LITTLE LIFE

Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 22, 2014

Kirkus Reviews Issue: Jan. 1, 2015

Did you like this book?

No Comments Yet
more