A spare, sharp-boned bird of a novel, whose song is wrenchingly sad yet full of indomitable spirit. Astley (The Slow Natives, 1993, etc.) writes of old age, of life slipping past and freedom lost, and of loneliness. As Kathleen, dozing and daydreaming her way into decrepitude and oblivion, looks back over her life, the ``pictures came in savagely illuminated splats,'' edged by disappointment and unnameable desire. The setting is Australia, but the vast emptiness surrounding Astley's characters is a symptom of psychology rather than setting. Kathleen recalls her marriage: ``seeking the idyll yet somehow missing it...Solitariness nibbling away even in the middle of parties, dances, pillow-talk.'' Her husband, ``a tensed sales clerk with the distant crazed eyes of a visionary unable to satisfy his yearnings,'' disappeared into the jungle, searching for his ``new Jerusalem,'' then succumbed, quite willingly, to cancer. Then there were—and are—her two children. The monstrously selfish Shamrock (Sham) took a year off to find herself (`` `Where will you look, dear?' Kathleen had asked mildly'') en route to fulfillment as the wife of a crooked politician and hostess of opulent dinner parties. The somewhat less monstrously selfish Brian (Brain) is miserably married, miserably adulterous, and prone to quoting Tennyson over his breakfast bran. Kathleen—except when available to baby-sit—has become nothing but a burden, a threat to her children's cherished, illusory liberty. When Sham dumps her unceremoniously in a retirement community called Passing Downs, Kathleen makes one last dash for her own freedom. ``It's time to go feral,'' she announces to a stranger. ``Tribes of feral grandmothers holed up in the hills, just imagine it, refusing to take on those time-honoured mindings and moppings up after the little ones while the big ones jaunt into the distance.'' Astley is a marvelous writer and a hilarious, merciless, and poignant truth-teller.
Pub Date: Sept. 15, 1994
ISBN: 0-399-13966-4
Page Count: 192
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 1994
BOOK REVIEW
BOOK REVIEW
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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