THE END OF THE HUNT

Award-winning novelist of Irish history Thomas Flanagan (The Tenants of Time, 1988, etc.) sets his new novel, as densely packed and relentlessly thorough as usual, in the turbulent 1920's, an era whose legacy lingers today in strife-ridden Northern Ireland. The complex story is told in alternating chapters by such characters as Patrick Prentiss, a barrister who lost his arm fighting for the British in World War I; Janice Nugent, a young Irish widow whose husband died fighting at Gallipoli; Christopher Blake, a historian and soon Janice's lover; and the mysterious Frank Lacy, a ruthless soldier whose bedtime reading is Virgil. As is typical in docufiction, a slew of real characters such as Winston Churchill, Lloyd George, and Eamon De Valera, speaking often in their own words or at least uttering sentiments in keeping with their reputations, make numerous appearances to add gravitas to the narrative. Beginning in the spring of 1918, members of Sinn Fein, survivors of the 1916 Uprising, and supporters of Irish Independence form the Irish Republican Army and begin a war that is fought on all sides with ruthless ferocity. The notorious British ``Black and Tans'' are just as savage as the IRA in mounting ambushes, exacting reprisals, and burning enemy houses. As the war continues, Frank Lacy achieves stunning military successes, Christopher Blake does brilliant intelligence work, while Prentiss and Nugent observe and comment from the sidelines. The story, though, is dominated by the legendary and beloved Michael Collins, a man of a thousand disguises and daring ruses. For signing an accord with Britain in 1921 establishing the Irish Free State, Collins is regarded as a traitor by diehard Republicans and is assassinated. A nasty little war with even nastier consequences, deftly described with enough details to satisfy those who prefer their history lightly spritzed with fiction.

Pub Date: April 7, 1994

ISBN: 0-525-93681-5

Page Count: 640

Publisher: Dutton

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Feb. 1, 1994

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More Hallmarkiana, from a shameless expert in the genre.

THE RESCUE

High-stakes weepmeister Sparks (A Walk to Remember, 1999, etc.) opts for a happy ending his fourth time out. His writing has improved—though it's still the equivalent of paint-by-numbers—and he makes use this time of at least a vestige of credible psychology.

That vestige involves the deep dark secret—it has something to do with his father's death when son Taylor was nine—that haunts kind, good 36-year-old local contractor Taylor McAden and makes him withdraw from relationships whenever they start getting serious enough to maybe get permanent. He's done this twice before, and now he does it again with pretty and sweet single mother Denise Holton, age 29, who's moved from Atlanta to Taylor's town of Edenton, North Carolina, in order to devote her time more fully to training her four-year-old son Kyle to overcome the peculiar impediment he has that keeps him from achieving normal language acquisition. Okay? When Denise has a car accident in a bad storm, she's rescued by volunteer fireman Taylor—who also rescues little Kyle after he wanders away from his injured mom in the storm. Love blooms in the weeks that follow—until Taylor suddenly begins putting on the brakes. What is it that holds him back, when there just isn't any question but that he loves Denise and vice versa-not to mention that he's "great" with Kyle, just like a father? It will require a couple of near-death experiences (as fireman Taylor bravely risks his life to save others); emotional steadiness from the intelligent, good, true Denise; and the terrible death of a dear and devoted friend before Taylor will come to the point at last of confiding to Denise the terrible memory of how his father died—and the guilt that's been its legacy to Taylor. The psychological dam broken, love will at last be able to flow.

More Hallmarkiana, from a shameless expert in the genre.

Pub Date: Sept. 19, 2000

ISBN: 0-446-52550-2

Page Count: 352

Publisher: N/A

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 2000

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The phrase “tour de force” could have been invented for this audacious novel.

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A LITTLE LIFE

Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 22, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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