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THE END OF THE HUNT

Name: THE END OF THE HUNT
Author: Thomas Flanagan
ISBN: 0-525-93681-5

by Thomas Flanagan ‧ RELEASE DATE: April 7, 1994

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Award-winning novelist of Irish history Thomas Flanagan (The Tenants of Time, 1988, etc.) sets his new novel, as densely packed and relentlessly thorough as usual, in the turbulent 1920's, an era whose legacy lingers today in strife-ridden Northern Ireland. The complex story is told in alternating chapters by such characters as Patrick Prentiss, a barrister who lost his arm fighting for the British in World War I; Janice Nugent, a young Irish widow whose husband died fighting at Gallipoli; Christopher Blake, a historian and soon Janice's lover; and the mysterious Frank Lacy, a ruthless soldier whose bedtime reading is Virgil. As is typical in docufiction, a slew of real characters such as Winston Churchill, Lloyd George, and Eamon De Valera, speaking often in their own words or at least uttering sentiments in keeping with their reputations, make numerous appearances to add gravitas to the narrative. Beginning in the spring of 1918, members of Sinn Fein, survivors of the 1916 Uprising, and supporters of Irish Independence form the Irish Republican Army and begin a war that is fought on all sides with ruthless ferocity. The notorious British ``Black and Tans'' are just as savage as the IRA in mounting ambushes, exacting reprisals, and burning enemy houses. As the war continues, Frank Lacy achieves stunning military successes, Christopher Blake does brilliant intelligence work, while Prentiss and Nugent observe and comment from the sidelines. The story, though, is dominated by the legendary and beloved Michael Collins, a man of a thousand disguises and daring ruses. For signing an accord with Britain in 1921 establishing the Irish Free State, Collins is regarded as a traitor by diehard Republicans and is assassinated. A nasty little war with even nastier consequences, deftly described with enough details to satisfy those who prefer their history lightly spritzed with fiction.

Pub Date: April 7, 1994

ISBN: 0-525-93681-5

Page Count: 640

Publisher: Dutton

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 1, 1994

Categories:

GENERAL FICTION

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MAGIC HOUR

by Kristin Hannah ‧ RELEASE DATE: March 1, 2006

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

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Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

Categories:

GENERAL FICTION

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JURASSIC PARK

by Michael Crichton ‧ RELEASE DATE: Nov. 7, 1990

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Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.