From the prolific Disch (The Businessman, 1984, etc.), another severely weird boogie through a strange and specific world, this time the hermetic enclaves of some homosexual Catholic priests. To his credit, Disch resists heaping scorn on the troubled Father Patrick Bryce, an inveterate pedophile who can't stay away from hustlers and altar boys, even if the pursuit of his unholy pleasures has repeatedly landed him in hot water. Blackmailed by his own bishop and by a New Age zealot (and former trick), Father Bryce finds himself forced to preside over the Church-sanctioned establishment of a bunkerlike commune—where young girls considering abortions will be sequestered before they can terminate their pregnancies—while he's forced to receive a massive Satanic tattoo on his chest. Wracked by nightmares about partaking in a medieval Inquisition of French heretics, the wicked priest is nevertheless unprepared to ``transmentate'' into the figure of Bishop Silvanus de Roquefort, who swaps identities with Bryce and proceeds to rape and slaughter with the necrophilic brio that characterized his former Inquisitorial position. Silvanus finds his smorgasbord of debaucheries at the anti-abortion bunker, where the pregnant adolescents are guarded by a militantly dogmatic brother-and-sister team. As Bryce disappears into a newfound enthusiasm for auto-da-fÇ, sharing his transmentation experience with similarly dislocated UFO guru/author A.D. Boscage, Silvanus joins in a race to prevent the anti-abortion shrine's captives from being rescued by, among others, a friendly queer cleric whose murdered friend, Bing Anker, was one of Bryce's molestees. Bryce doesn't last long in the Inquisition: Accused of heresy by a tortured Boscage, the priest is crucified, but not before a plot to counterfeit the Shroud of Turin—using his body in place of Jesus'- -is revealed to him by yet another transmentated contemporary. A rapturously over-the-top yarn that takes a refreshingly bitchy stance. Not something the Pope will be reading before bedtime.

Pub Date: March 24, 1995

ISBN: 0-679-41880-6

Page Count: 352

Publisher: Knopf

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Feb. 1, 1995

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The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 22, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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Less bleak than the subject matter might warrant—Hannah’s default outlook is sunny—but still, a wrenching depiction of war’s...


 The traumatic homecoming of a wounded warrior.

The daughter of alcoholics who left her orphaned at 17, Jolene “Jo” Zarkades found her first stable family in the military: She’s served over two decades, first in the army, later with the National Guard. A helicopter pilot stationed near Seattle, Jo copes as competently at home, raising two daughters, Betsy and Lulu, while trying to dismiss her husband Michael’s increasing emotional distance. Jo’s mettle is sorely tested when Michael informs her flatly that he no longer loves her. Four-year-old Lulu clamors for attention while preteen Betsy, mean-girl-in-training, dismisses as dweeby her former best friend, Seth, son of Jo’s confidante and fellow pilot, Tami. Amid these challenges comes the ultimate one: Jo and Tami are deployed to Iraq. Michael, with the help of his mother, has to take over the household duties, and he rapidly learns that parenting is much harder than his wife made it look. As Michael prepares to defend a PTSD-afflicted veteran charged with Murder I for killing his wife during a dissociative blackout, he begins to understand what Jolene is facing and to revisit his true feelings for her. When her helicopter is shot down under insurgent fire, Jo rescues Tami from the wreck, but a young crewman is killed. Tami remains in a coma and Jo, whose leg has been amputated, returns home to a difficult rehabilitation on several fronts. Her nightmares in which she relives the crash and other horrors she witnessed, and her pain, have turned Jo into a person her daughters now fear (which in the case of bratty Betsy may not be such a bad thing). Jo can't forgive Michael for his rash words. Worse, she is beginning to remind Michael more and more of his homicide client. Characterization can be cursory: Michael’s earlier callousness, left largely unexplained, undercuts the pathos of his later change of heart. 

Less bleak than the subject matter might warrant—Hannah’s default outlook is sunny—but still, a wrenching depiction of war’s aftermath.

Pub Date: Jan. 31, 2012

ISBN: 978-0-312-57720-9

Page Count: 400

Publisher: St. Martin's

Review Posted Online: Dec. 19, 2011

Kirkus Reviews Issue: Jan. 1, 2012

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