An intelligent, thought-provoking adventure story and a fine debut.
A tense debut action-thriller that hinges on a pair of related kidnappings.
At the start of Jacobs’ taut novel, Tsarina “Tsara” Abrams lives comfortably in the New England suburbs with her husband, David Adelman, and their two kids, Abbie and Josh. One day, she receives an engraved invitation from her uncle, businessman Castle Thornlocke, to attend a charity fundraiser at the palatial Thornlocke estate in Libertyville, N.H. The fundraiser is for a worthy cause, a cancer center, and Tsara’s brother Court has also been invited. Their relationship with their uncle has always been tense and adversarial, but it seems that Uncle Cass’ new wife, Alicia, has mellowed him somewhat, and Tsara believes that his invitation might be an attempt to mend fences. She makes the trip to the New Hampshire mountains, and at first, all seems well—but her first night under her uncle’s roof, she’s kidnapped by two men and brought to a remote cabin in the woods. They explain that her uncle is holding one of the kidnappers’ children hostage (along with half a dozen others’) in his estate’s wine cellar in order to coerce them into paying outstanding debts. Her uncle, it seems, is a ruthless power broker, with the corrupt local police entirely at his disposal, and Tsara’s desperate kidnappers see no alternative but to threaten him using similar methods. Jacobs presents the ensuing tense moral and tactical standoff with smooth skill and intense readability. Her sense of the New Hampshire landscape is vividly atmospheric (“The sky was azure, wisped with occasional brushes of clouds, and the trees were rocket bursts of fall color”), and her characters are refreshingly three-dimensional; by the end, Jacobs even makes a monstrous villain such as Thornlocke understandable, if not sympathetic. The novel is fast-paced right from the end of the first chapter, and the dialogue is crisply believable throughout. Fans of mystery writers such as Lisa Scottoline and William Kent Krueger will find much to entertain them here.
An intelligent, thought-provoking adventure story and a fine debut.Pub Date: June 1, 2013
ISBN: 978-0615805597
Page Count: 406
Publisher: Linden Tree Press
Review Posted Online: Oct. 25, 2013
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
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