Lucent prose illuminates a man obscured for years in history’s shadows.

SHORT NIGHTS OF THE SHADOW CATCHER

THE EPIC LIFE AND IMMORTAL PHOTOGRAPHS OF EDWARD CURTIS

New York Times Pulitzer Prize–winning writer Egan (The Big Burn: Teddy Roosevelt and the Fire that Saved America, 2009, etc.) returns with the story of the astonishing life of Edward Curtis (1868–1952), whose photographs of American Indians now command impressive prices at auction.

This is an era of excessive subtitles—but not this one: “Epic” and “immortal” are words most fitting for Curtis, whose 20-volume The North American Indian, a project that consumed most of his productive adult life, is a work of astonishing beauty and almost incomprehensible devotion. Egan begins with the story of Angelina, Chief Seattle’s daughter, who in 1896 was living in abject poverty in the city named for her father. Curtis—who’d begun a Seattle photography shop—photographed her, became intrigued with the vanishing lives of America’s Indians and devoted the ensuing decades both to the photography of indigenous people all over North America and to the writing of texts that described their culture, languages, songs and religion. Curtis scrambled all his life for funding—J.P. Morgan and President Theodore Roosevelt were both supporters, though the former eventually took over the copyrights and sold everything to a collector during the Depression for $1,000—and spent most of his time away from home, a decision that cost him his marriage. His children, however, remained loyal, some later helping him with his project. As Egan shows, Curtis traveled nearly everywhere, living with the people he was studying, taking thousands of photographs. He nearly died on several occasions. Egan is careful to credit Curtis’ team, several of whom endured all that he did, though, gradually, he became the last man standing, and he reproduces a number of the gorgeous photographs.

Lucent prose illuminates a man obscured for years in history’s shadows.

Pub Date: Oct. 9, 2012

ISBN: 978-0-618-96902-9

Page Count: 412

Publisher: Houghton Mifflin Harcourt

Review Posted Online: July 1, 2012

Kirkus Reviews Issue: July 15, 2012

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

THE 48 LAWS OF POWER

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

NIGHT

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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