Enchanting, though the desire for an enthralling tale might not be fulfilled.
Be careful what you wish for: For good or ill, magic comets fulfill the wishes of three women.
Restless, unhappy and full of desire, three very different women look up to the night sky and each make a wish on their own passing comet. Grace, jealous of her best friend’s charmed life, is granted the power to make men fall in love with her; Skylar, embarrassed of being poor, is given the power to bring money and success into her life; and Alina, haunted by her sister’s death, is bestowed the revenge-based power to undo the lives of others. For a short time, these newfound powers fulfill the women’s desires. Grace meets a wonderful man who dotes on her and buys her anything she desires. Skylar also meets a man, who promises to take care of her. And Alina, once Skylar’s high school friend, is put in the perfect place to get revenge on the friend that abandoned her. Hook impressively handles her three main characters, making each feel distinct and equally important. Grace’s, Skylar’s and Alina’s lives intersect at different points in the novel in a multitude of different ways. Grace falls for Liam, who has been in love with Skylar since high school, although he’s used Alina to fulfill his own needs; Alina crosses paths with Johnny, Skylar’s high school flame, who may just have his own comet-given powers; and Skylar befriends Grace, who happened to once work for the love of Skylar’s life, Darren. Despite a promising premise, Hook’s narrative is somewhat aimless and underdeveloped. There are lovely moments when Hook reaches for deeper meanings, as when Grace realizes the interconnectedness of everything, or in Alina’s struggle to free herself from Johnny. But all too often, Hook’s narrative revolves merely around how these women define themselves in relation to the men in their lives. Nonetheless, the scene of Grace’s wedding highlights the novel, as does the comets’ return.
Enchanting, though the desire for an enthralling tale might not be fulfilled.Pub Date: Aug. 6, 2012
ISBN: 978-1470113216
Page Count: 336
Publisher: CreateSpace
Review Posted Online: Feb. 21, 2013
Review Program: Kirkus Indie
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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