Bubbling with talent and ambition, this novel is a head-spinning Caribbean cocktail.

LAND OF LOVE AND DROWNING

A debut novel traces the history of the U.S. Virgin Islands through the fate of a family marked by lust, magic and social change.

Of the atoll where her parents met, Anette Bradshaw says: "You seen even a postcard of Anegada? It too pretty. Like heaven and hell marry up and birth all the beauty goodness and badness could possibly make." Anette's is one of four narrative voices in this novel by St. Thomas–born Yanique (How to Escape from a Leper Colony, 2010), which follows the story of the children and grandchildren of Capt. Owen Arthur Bradshaw, a man whose unchecked appetites cause trouble for a good half-century after his ship goes down. In alternating short chapters, we hear from a wise, playful third-person narrator and, in first person, from each of Bradshaws' three outlandishly beautiful children: Eeona, both his daughter and his lover; Anette, who never knew either of her parents before their untimely deaths; and Jacob, Bradshaw’s unacknowledged son by a back-street mistress. Eeona becomes an imperious queen of a woman who never gets over her love for her father, refusing even the suit of a fellow who proposes 70-odd times; she moves to St. John and becomes entangled with a lost character from the family romantic tree. Half siblings Anette and Jacob are also ruled by incestuous passion, though they are unaware of their relationship, which is only partially derailed by Jacob's sojourns on the mainland for military service and medical school. Their story is interwoven with both the folklore and history of the island: backward-facing feet, silver pubic hair and a race of demigods called the Duene are sprinkled among scenes of development, hurricanes, tourism and the social movements of the 1960s and '70s.

Bubbling with talent and ambition, this novel is a head-spinning Caribbean cocktail.

Pub Date: July 10, 2014

ISBN: 978-1-59448-833-7

Page Count: 368

Publisher: Riverhead

Review Posted Online: May 7, 2014

Kirkus Reviews Issue: May 15, 2014

Did you like this book?

No Comments Yet

Miller makes Homer pertinent to women facing 21st-century monsters.

Our Verdict

  • Our Verdict
  • GET IT

  • Kirkus Reviews'
    Best Books Of 2018

  • New York Times Bestseller

CIRCE

A retelling of ancient Greek lore gives exhilarating voice to a witch.

“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.

Miller makes Homer pertinent to women facing 21st-century monsters.

Pub Date: April 10, 2018

ISBN: 978-0-316-55634-7

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Jan. 23, 2018

Kirkus Reviews Issue: Feb. 1, 2018

Did you like this book?

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

Reader Votes

  • Readers Vote
  • 14

Our Verdict

  • Our Verdict
  • GET IT

Google Rating

  • google rating
  • google rating
  • google rating
  • google rating
  • google rating
  • Kirkus Reviews'
    Best Books Of 2014

  • New York Times Bestseller

  • National Book Award Finalist

  • Pulitzer Prize Winner

ALL THE LIGHT WE CANNOT SEE

Doerr presents us with two intricate stories, both of which take place during World War II; late in the novel, inevitably, they intersect.

In August 1944, Marie-Laure LeBlanc is a blind 16-year-old living in the walled port city of Saint-Malo in Brittany and hoping to escape the effects of Allied bombing. D-Day took place two months earlier, and Cherbourg, Caen and Rennes have already been liberated. She’s taken refuge in this city with her great-uncle Etienne, at first a fairly frightening figure to her. Marie-Laure’s father was a locksmith and craftsman who made scale models of cities that Marie-Laure studied so she could travel around on her own. He also crafted clever and intricate boxes, within which treasures could be hidden. Parallel to the story of Marie-Laure we meet Werner and Jutta Pfennig, a brother and sister, both orphans who have been raised in the Children’s House outside Essen, in Germany. Through flashbacks we learn that Werner had been a curious and bright child who developed an obsession with radio transmitters and receivers, both in their infancies during this period. Eventually, Werner goes to a select technical school and then, at 18, into the Wehrmacht, where his technical aptitudes are recognized and he’s put on a team trying to track down illegal radio transmissions. Etienne and Marie-Laure are responsible for some of these transmissions, but Werner is intrigued since what she’s broadcasting is innocent—she shares her passion for Jules Verne by reading aloud 20,000 Leagues Under the Sea. A further subplot involves Marie-Laure’s father’s having hidden a valuable diamond, one being tracked down by Reinhold von Rumpel, a relentless German sergeant-major.

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

Pub Date: May 6, 2014

ISBN: 978-1-4767-4658-6

Page Count: 448

Publisher: Scribner

Review Posted Online: March 6, 2014

Kirkus Reviews Issue: March 15, 2014

Did you like this book?

more