A novelty that occasionally succeeds as literature.
Meditations and stories of contemporary India as reflected through the eyes of a 17-year-old autistic youth.
Mukhopadhyay is widely known for his memoir of autism, The Mind Tree (2003), begun when he was eight. In the introduction here, his mother describes how she trained the young writer from the age of three. The 12 pieces collected here evince his determination to communicate through the written word. The first story, “The Showers,” is perhaps the strongest. Vignettes vividly evoke village life in the aftermath of a cyclone: Rival politicians argue; a young boy who hates buffalos is stuck with the task of caring for the stubborn beasts in an impromptu communal grazing area; a teenage girl disappears after she is raped. “Just a Smile” pays tribute to an act that is difficult for Mukhopadhyay. Several other pieces, including “Impressive People,” “Grey, Apple Green, and White” and “The Broken Mirror,” also elaborate on single concepts, illuminating strange turns of mind. Mukhopadhyay explores these concepts in abstract, repetitive prose that is at times mesmerizing, at times tedious. Stories focusing on character are more effective. “Little Grains of Dust,” for example, follows a tea-seller and sometime thief who has adopted a gypsy disregard for place and sees fixed identities as a form of bondage. Likewise, the title story takes an empathetic look at the adjustment an adolescent boy must make when his father goes to jail for gambling, leaving him to be the sole support of his grandmother and younger brother. “The Calendar” and “Man at the Bus Stop” riff humorously on office life. Mukhopadhyay’s explanatory notes preface each piece. Imagining the days “when Mother won’t be around to take care of me anymore” proved the inspiration for “The Field,” a story that awkwardly takes as its unifying motif a nebulous presence named Emma. The final entry, “The Climb,” chronicles a New Age-y pilgrim’s progress with pallid symbolism that never engages.
A novelty that occasionally succeeds as literature.Pub Date: Oct. 5, 2005
ISBN: 1-55970-777-1
Page Count: 264
Publisher: Arcade
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 2005
BOOK REVIEW
For all the portentous metaphors (keys and locks appear in every story) and all the convoluted and fabulist narrations,...
These nine casually interlocking stories, set in a familiar yet surreal contemporary world, overflow with the cerebral humor and fantastical plots that readers have come to expect from Oyeyemi (Boy Snow Bird, 2014).
The opener, "Books and Roses," sets the tone: stories within stories and a fittingly cockeyed view of Gaudi’s architecture as two women in Barcelona share their experiences in abandonment while searching for the loved ones who left them behind. Most of the volume takes place in England, with nods toward Eastern Europe. In " 'Sorry' Doesn’t Sweeten Her Tea," weight-loss clinician Anton becomes increasingly involved in raising his boyfriend’s two adolescent daughters, Aisha and Dayang, while fishsitting for a traveling friend. The story seems straightforward until Anton’s friend falls in long-distance love with a mystery woman who's entered his locked house without a key and Anton’s co-worker Tyche helps Aisha recover from a crisis in disillusionment by casting a spell from the Greek goddess Hecate. Tyche returns as a student puppeteer in "Is Your Blood as Red as This?," which layers creepy echoes of Pinocchio onto realistically genuine adolescent sexual confusion. Readers realize Tyche’s fellow students Radha and Myrna have ended up sexually happy-ever-after when they pop up in "Presence" to lend their shared apartment to a psychologist so she and her grief-counselor husband can carry out the ironically eponymous science-fiction experiment that forces the psychologist to accept the absences in her life. While Aisha appears as a filmmaker employing puppets in "Freddy Barrandov Checks…In?," Dayang stars as ingénue in "A Brief History of the Homely Wench Society," a post-feminist romantic comedy about warring men's and women’s societies at Cambridge. Several stories are pure fairy tale, like "Dornicka and the St. Martin’s Day Goose," a twisted take on "Little Red Riding Hood,” and "Drownings," in which good intentions defeat a murderous tyrant.
For all the portentous metaphors (keys and locks appear in every story) and all the convoluted and fabulist narrations, Oyeyemi’s stories are often cheerfully sentimental.Pub Date: March 8, 2016
ISBN: 978-1-59463-463-5
Page Count: 304
Publisher: Riverhead
Review Posted Online: Dec. 21, 2015
Kirkus Reviews Issue: Jan. 1, 2016
A mixed bag of stories: some tired but several capable of poetically piercing the heart.
Science fiction author (The Wall of Storms, 2016) and translator (The Redemption of Time, Baoshu, 2019) Liu’s short stories explore the nature of identity, consciousness, and autonomy in hostile and chaotic worlds.
Liu deftly and compassionately draws connections between a genetically altered girl struggling to reconcile her human and alien sides and 20th-century Chinese young men who admire aspects of Western culture even as they confront its xenophobia (“Ghost Days”). A poor salvager on a distant planet learns to channel a revolutionary spirit through her alter ego of a rabbit (“Grey Rabbit, Crimson Mare, Coal Leopard”). In “Byzantine Empathy,” a passionate hacktivist attempts to upend charitable giving through blockchain and VR technology even as her college roommate, an executive at a major nonprofit, fights to co-opt the process, a struggle which asks the question of whether pure empathy is possible—or even desired—in our complex geopolitical structure. Much of the collection is taken up by a series of overlapping and somewhat repetitive stories about the singularity, in which human minds are scanned and uploaded to servers, establishing an immortal existence in virtuality, a concept which many previous SF authors have already explored exhaustively. (Liu also never explains how an Earth that is rapidly becoming depleted of vital resources somehow manages to indefinitely power servers capable of supporting 300 billion digital lives.) However, one of those stories exhibits undoubted poignance in its depiction of a father who stubbornly clings to a flesh-and-blood existence for himself and his loved ones in the rotting remains of human society years after most people have uploaded themselves (“Staying Behind”). There is also some charm in the title tale, a fantasy stand-alone concerning a young woman snatched from her home and trained as a supernaturally powered assassin who retains a stubborn desire to seek her own path in life.
A mixed bag of stories: some tired but several capable of poetically piercing the heart.Pub Date: Feb. 25, 2020
ISBN: 978-1-982134-03-7
Page Count: 432
Publisher: Saga/Simon & Schuster
Review Posted Online: Dec. 8, 2019
Kirkus Reviews Issue: Jan. 1, 2020
BOOK TO SCREEN
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