An often entertaining, mostly upbeat magical adventure.

HOW TO SET THE WORLD ON FIRE

A YA fantasy novel about an enchanted school competition.

Debut author Riggins tells the tale of Kase Garrick, a young warrior-in-training at The Academy, a college of sorts that also produces wizards and scholars. He gets into trouble on his first day at the school when he runs afoul of a whiny boy named Niveous, who’s his older sister Cali’s boyfriend and also a professor’s son. Following an incident with Niveous, Kase reports for detention, during which he befriends Lenia and Talen. Lenia is studying to be a wizard and Talen a scholar. Although warriors, wizards, and scholars don’t usually mix, the three nevertheless form a bond. They eventually team up (along with Cali, after she breaks up with Niveous) for The Academy’s annual Quest Series competition. During the “Q,” as it’s called, Kase and his group, who call themselves the Liberati, are given seemingly impossible tasks, such as fetching molten rock from a volcano. Of course, the application of magic makes tackling them a bit easier, but they’ll also need problem-solving skills, among other, non-magical strengths. Aside from some sadness surrounding Cali’s breakup with Niveous—although it’s hard to tell what she saw in him, anyway—and some controversy involving a dragon, the book maintains a rather cheerful tone throughout. There is some dull dialogue, as in Kase’s long-range weapons class (“Help each other out, but safety is of utmost importance,” the instructor explains rather blandly). However, most of the narrative’s events move along quickly. The fun for readers comes less from trying to figure out how the tasks of the Q will be completed than from watching the chirpy young cast accomplish them in an expansive fantasy setting. In it, the team encounters creatures as varied as gargoyles, unicorns, and mermaids—and readers never quite know what will come next.

An often entertaining, mostly upbeat magical adventure.

Pub Date: May 13, 2017

ISBN: 978-0-9959002-0-2

Page Count: 278

Publisher: Franchise Publishing

Review Posted Online: Aug. 13, 2017

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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ONE DAY IN THE LIFE OF IVAN DENISOVICH

While a few weeks ago it seemed as if Praeger would have a two month lead over Dutton in their presentation of this Soviet best seller, both the "authorized" edition (Dutton's) and the "unauthorized" (Praeger's) will appear almost simultaneously. There has been considerable advance attention on what appears to be as much of a publishing cause celebre here as the original appearance of the book in Russia. Without entering into the scrimmage, or dismissing it as a plague on both your houses, we will limit ourselves to a few facts. Royalties from the "unauthorized" edition will go to the International Rescue Committee; Dutton with their contracted edition is adhering to copyright conventions. The Praeger edition has two translators and one of them is the translator of Doctor Zhivago Dutton's translator, Ralph Parker, has been stigmatized by Praeger as "an apologist for the Soviet regime". To the untutored eye, the Dutton translation seems a little more literary, the Praeger perhaps closer to the rather primitive style of the original. The book itself is an account of one day in the three thousand six hundred and fifty three days of the sentence to be served by a carpenter, Ivan Denisovich Shukhov. (Solzhenitsyn was a political prisoner.) From the unrelenting cold without, to the conditions within, from the bathhouse to the latrine to the cells where survival for more than two weeks is impossible, this records the hopeless facts of existence as faced by thousands who went on "living like this, with your eyes on the ground". The Dutton edition has an excellent introduction providing an orientation on the political background to its appearance in Russia by Marvin Kalb. All involved in its publication (translators, introducers, etc.) claim for it great "artistic" values which we cannot share, although there is no question of its importance as a political and human document and as significant and tangible evidence of the de-Stalinization program.

Pub Date: June 15, 1963

ISBN: 0451228146

Page Count: 181

Publisher: Praeger

Review Posted Online: Oct. 5, 2011

Kirkus Reviews Issue: June 15, 1963

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