Life of Charles Olson (1910-70), the ego-driven poet known as Maximum, who fathered ``projective'' verse and became the grand old man of Black Mountain College. Clark improves over his earlier bios (Jack Kerouac, 1984, The World of Damon Runyon), going all out with scholarship and research in this sympathetic retelling of the life of a poet who saw himself as ``metal hot from boiling water.'' A giant at six feet eight or nine inches, Olson was born in Worcester, Mass., and took the fishing village of Gloucester as the landscape for his free-verse epic effort The Maximus Poems. He early battened on Melville scholarship, and in his middle 30s brought out his first book, Call Me Ishmael, a gutsy but unfocused work whose critical failure shattered him and, in a way, helped reroute him toward his true goal as an epic poet. Maximus is the ``I'' or central figure of The Maximus Poems, a primitive force naming things anew in the freshness of the first morning-Olson called himself ``an archaeologist of morning.'' He was also a scholar of ancient civilizations, mainly Hittite and Mayan, and sw these civilizations as still existing in Gloucester and in him, Maximus, who was the totality of his family history, eruptive and overwhelming. As Clark shows, Olson's self-focus dried up his common-law marriages, may or may not have driven his younger second wife to suicide by automobile. While Olson's theories tried to wall him off from ego, and his poetry shows objects as archaic objects without the mediation of the poet's soul, his dependence of amphetamines, alcohol, and pot sent his ego billowing during his last decade and made much of his work diffuse and ragtag. Clark records all, accepts Olson's various self-estimates and solemn need for drugs, never suggests there might have been a better epic had Maximus had a rebirth beyond chemical ego. Told at a steady plod that takes Olson's ideas perhaps more seriously than warranted but that points steadily toward the writer's best work.
Pub Date: April 22, 1991
ISBN: 0-393-02958-1
Page Count: 480
Publisher: Norton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 1991
BOOK REVIEW
BOOK REVIEW
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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