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IN THE CITY OF THE DISAPPEARED

A tale that deals with a worthy subject, but without the gravity and depth to tackle it in any satisfying way.

Will romantic love keep a 23-year-old Peace Corps volunteer in a country where soldiers will beat him—or worse—for the slightest provocation? That’s the $64,000 question in this somewhat shallow treatment of Chilean life under Pinochet’s savage regime.

Harry Bayliss arrives in 1978 Chile armed for his ordeal with only fluent Spanish and a good batting average. The onetime minor-league player plans to while away a year in tropical climes, teaching baseball to underprivileged children. His naïve vision is shattered, however, during his first confrontation with soldiers. They spit on him and, when he objects, threaten to take him in for `interrogation.` Harry’s eyes open even further when he ventures into poverty-stricken neighborhoods and meets the grief-overwhelmed families of the Disappeared—revolutionaries who are arrested, never to be heard from again. `You have to be tough to live here,` Harry announces. Such trite proclamations plague Hazuka’s second novel (The Road to the Island, 1998). The author seems more intent on dictating the reader’s reaction to his scenes than on adding character depth. He further misses his opportunity for profundity when Harry falls in love with Marisol Huerta, a former wife of one of the Disappeared. True, this twist exposes Harry more deeply to the country’s inequities—he visits a mental asylum for subversives, and a friend is assassinated. But Hazuka’s refusal to sketch Marisol’s background—it’s too painful for her to talk about—robs the story of its more personal and affecting elements. Some sentiment is stirred, at least, when Harry’s firing from the Peace Corps forces him to decide whether love for Marisol makes it worth staying in a brutal country .

A tale that deals with a worthy subject, but without the gravity and depth to tackle it in any satisfying way.

Pub Date: June 1, 2000

ISBN: 1-882593-31-6

Page Count: 288

Publisher: Bridge Works

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 2000

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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