A creepy horror yarn that triumphantly focuses on the protagonist over the exorcism.
A 16-year-old girl is relentlessly tormented by a demon that has latched onto her in this supernatural novel.
After her father’s death, Maine teenager Cassie Stevens, depressed and withdrawn, befriends like-minded goths Seth, Silvia, and Trish. But while those three are intrigued by attending a bona fide Black Mass, Cassie is disturbed, especially when, shortly thereafter, she begins feeling a mysterious presence inside her. Her mom, teachers, and peers notice her ensuing behavior: She uncharacteristically lashes out at others with little or no provocation. Things only get worse: On Halloween night, she and her friends are in a car wreck that technically kills Cassie, though doctors revive her minutes later. Unfortunately, she believes something has followed her back from death. Cassie sees ghostly figures that trash rooms, intermittently hears “the shrill” (a fierce sound only she can detect), and, at one point, loses control of her body to what she’s determined is a demon. Most think this is merely Cassie’s psychosis, including Father Sean McCready, who just lost the love of his life, Amy Duval, to an aneurysm. But he soon realizes that if the church doesn’t perform an exorcism for Cassie, the girl will surely die. Though Lewis’ (Aftermath, 2015) novel checks off a few conventions of exorcism stories (for example, a priest seemingly questioning his faith), it also deviates with a concentration on Cassie. For example, demonic possession doesn’t overtake her for the narrative’s duration. Rather, the tale shows firsthand what she endures, often via her senses: the shrill, an inexplicable stench, and glimpsing a “ghoulish face.” Even sans supernatural elements, Cassie is an intriguing protagonist: She’s a high schooler dealing with her dad’s death and suffering the cruelty of bullies. The story is swift and spooky, from whispering voices and Cassie’s unsettling dreams to the demon’s surprisingly offing other characters. There is, however, a crucial plot twist—revealed well before the end—that readers will likely predict.
A creepy horror yarn that triumphantly focuses on the protagonist over the exorcism.Pub Date: Oct. 9, 2018
ISBN: 978-1-72684-594-6
Page Count: 373
Publisher: Time Tunnel Media
Review Posted Online: Nov. 8, 2018
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
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