by Tom Lewis ‧ RELEASE DATE: Oct. 9, 2018
A creepy horror yarn that triumphantly focuses on the protagonist over the exorcism.
A 16-year-old girl is relentlessly tormented by a demon that has latched onto her in this supernatural novel.
After her father’s death, Maine teenager Cassie Stevens, depressed and withdrawn, befriends like-minded goths Seth, Silvia, and Trish. But while those three are intrigued by attending a bona fide Black Mass, Cassie is disturbed, especially when, shortly thereafter, she begins feeling a mysterious presence inside her. Her mom, teachers, and peers notice her ensuing behavior: She uncharacteristically lashes out at others with little or no provocation. Things only get worse: On Halloween night, she and her friends are in a car wreck that technically kills Cassie, though doctors revive her minutes later. Unfortunately, she believes something has followed her back from death. Cassie sees ghostly figures that trash rooms, intermittently hears “the shrill” (a fierce sound only she can detect), and, at one point, loses control of her body to what she’s determined is a demon. Most think this is merely Cassie’s psychosis, including Father Sean McCready, who just lost the love of his life, Amy Duval, to an aneurysm. But he soon realizes that if the church doesn’t perform an exorcism for Cassie, the girl will surely die. Though Lewis’ (Aftermath, 2015) novel checks off a few conventions of exorcism stories (for example, a priest seemingly questioning his faith), it also deviates with a concentration on Cassie. For example, demonic possession doesn’t overtake her for the narrative’s duration. Rather, the tale shows firsthand what she endures, often via her senses: the shrill, an inexplicable stench, and glimpsing a “ghoulish face.” Even sans supernatural elements, Cassie is an intriguing protagonist: She’s a high schooler dealing with her dad’s death and suffering the cruelty of bullies. The story is swift and spooky, from whispering voices and Cassie’s unsettling dreams to the demon’s surprisingly offing other characters. There is, however, a crucial plot twist—revealed well before the end—that readers will likely predict.
A creepy horror yarn that triumphantly focuses on the protagonist over the exorcism.Pub Date: Oct. 9, 2018
ISBN: 978-1-72684-594-6
Page Count: 373
Publisher: Time Tunnel Media
Review Posted Online: Nov. 8, 2018
Review Program: Kirkus Indie
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by Hanya Yanagihara ‧ RELEASE DATE: March 10, 2015
The phrase “tour de force” could have been invented for this audacious novel.
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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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by J.D. Salinger ‧ RELEASE DATE: June 15, 1951
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
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