Brilliantly structured, beautifully written and profoundly sad.

THE RISE & FALL OF GREAT POWERS

Rachman follows his best-selling debut (The Imperfectionists, 2010) with the haunting tale of a young woman reassessing her turbulent past.

In 2011, Tooly has washed up after a lifetime of wandering in a small Welsh village, where she uses the last of her money to buy a used bookstore. Twelve years earlier, in 1999, she’s a vagabond 20-year-old on the streets of New York City who talks her way into law student Duncan’s apartment by pretending it was her childhood home. Actually, her childhood was spent traveling around Asia with her father, Paul, until, in 1988, she’s scooped up in Bangkok by her feckless mother, Sarah, and falls in with a band of peripatetic misfits led by Venn, a coolly manipulative con man. The three storylines proceed along their separate time tracks to collectively explore how Tooly came to be the remote, hard-drinking young woman who seems to be marking time in Wales. We see that she’s been indelibly scarred by Venn: He imprinted her with his philosophy of relating to people only on the basis of how useful they can be to you; let her believe they had a special friendship as she followed him from country to country and scam to scam; then vanished just after she turned 21 in New York. The revelation of why he let her hang around for a decade forms the novel’s brutal climax, articulated by Venn with matter-of-fact cruelty after Tooly tracks him down. She does have gentler, more nurturing father figures: not just Paul, with whom she reconnects in a tender scene, but Humphrey, the elderly Russian émigré who tried to shelter her from Venn’s influence and softened her fall after he left—though she doesn’t realize this until years later. Still, the overwhelming emotions here are loss and regret, as Tooly realizes how she was alienated from her own best instincts by a charismatic sociopath.

Brilliantly structured, beautifully written and profoundly sad.

Pub Date: May 27, 2014

ISBN: 978-0-679-64365-4

Page Count: 400

Publisher: Dial Press

Review Posted Online: April 17, 2014

Kirkus Reviews Issue: May 1, 2014

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Finding positivity in negative pregnancy-test results, this depiction of a marriage in crisis is nearly perfect.

ALL YOUR PERFECTS

Named for an imperfectly worded fortune cookie, Hoover's (It Ends with Us, 2016, etc.) latest compares a woman’s relationship with her husband before and after she finds out she’s infertile.

Quinn meets her future husband, Graham, in front of her soon-to-be-ex-fiance’s apartment, where Graham is about to confront him for having an affair with his girlfriend. A few years later, they are happily married but struggling to conceive. The “then and now” format—with alternating chapters moving back and forth in time—allows a hopeful romance to blossom within a dark but relatable dilemma. Back then, Quinn’s bad breakup leads her to the love of her life. In the now, she’s exhausted a laundry list of fertility options, from IVF treatments to adoption, and the silver lining is harder to find. Quinn’s bad relationship with her wealthy mother also prevents her from asking for more money to throw at the problem. But just when Quinn’s narrative starts to sound like she’s writing a long Facebook rant about her struggles, she reveals the larger issue: Ever since she and Graham have been trying to have a baby, intimacy has become a chore, and she doesn’t know how to tell him. Instead, she hopes the contents of a mystery box she’s kept since their wedding day will help her decide their fate. With a few well-timed silences, Hoover turns the fairly common problem of infertility into the more universal problem of poor communication. Graham and Quinn may or may not become parents, but if they don’t talk about their feelings, they won’t remain a couple, either.

Finding positivity in negative pregnancy-test results, this depiction of a marriage in crisis is nearly perfect.

Pub Date: July 17, 2018

ISBN: 978-1-5011-7159-8

Page Count: 320

Publisher: Atria

Review Posted Online: May 1, 2018

Kirkus Reviews Issue: May 15, 2018

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Hoover is one of the freshest voices in new-adult fiction, and her latest resonates with true emotion, unforgettable...

MAYBE SOMEDAY

Sydney and Ridge make beautiful music together in a love triangle written by Hoover (Losing Hope, 2013, etc.), with a link to a digital soundtrack by American Idol contestant Griffin Peterson. 

Hoover is a master at writing scenes from dual perspectives. While music student Sydney is watching her neighbor Ridge play guitar on his balcony across the courtyard, Ridge is watching Sydney’s boyfriend, Hunter, secretly make out with her best friend on her balcony. The two begin a songwriting partnership that grows into something more once Sydney dumps Hunter and decides to crash with Ridge and his two roommates while she gets back on her feet. She finds out after the fact that Ridge already has a long-distance girlfriend, Maggie—and that he's deaf. Ridge’s deafness doesn’t impede their relationship or their music. In fact, it creates opportunities for sexy nonverbal communication and witty text messages: Ridge tenderly washes off a message he wrote on Sydney’s hand in ink, and when Sydney adds a few too many e’s to the word “squee” in her text, Ridge replies, “If those letters really make up a sound, I am so, so glad I can’t hear it.” While they fight their mutual attraction, their hope that “maybe someday” they can be together playfully comes out in their music. Peterson’s eight original songs flesh out Sydney’s lyrics with a good mix of moody musical styles: “Living a Lie” has the drama of a Coldplay piano ballad, while the chorus of “Maybe Someday” marches to the rhythm of the Lumineers. But Ridge’s lingering feelings for Maggie cause heartache for all three of them. Independent Maggie never complains about Ridge’s friendship with Sydney, and it's hard to even want Ridge to leave Maggie when she reveals her devastating secret. But Ridge can’t hide his feelings for Sydney long—and they face their dilemma with refreshing emotional honesty. 

Hoover is one of the freshest voices in new-adult fiction, and her latest resonates with true emotion, unforgettable characters and just the right amount of sexual tension.

Pub Date: March 18, 2014

ISBN: 978-1-4767-5316-4

Page Count: 384

Publisher: Atria

Review Posted Online: May 7, 2014

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