A rousing series opener with equal portions of action and social commentary.
Xavier’s (Dark Curses, Faerie Dreams, 2017) YA fantasy features a girl who takes a trip across the universe.
Fourteen-year-old Neffie Anderson is self-conscious about being tall and having pink freckles on her cheeks. She’s also the only dark-skinned student at Millard Fillmore High in Windmere, Iowa. She wants to fit in, so she hikes a dangerous hillside one weekday morning with popular girl Jessica’s clique. After Neffie looks over a steep ledge, her longtime seizure condition—which she’s convinced is epilepsy—triggers, and she temporarily passes out. That night, a man named Gannen Sargie Vong, who also has pink freckles, visits the Anderson home; he’s Neffie’s paternal grandfather. He takes her onto the roof, which sets off her condition again, and he tells her, “The reddest star will show you the way.” The next day in school, Jessica tells Neffie that they were once best friends, but Neffie has no recollection of this. They head to an upstairs room to help Neffie remember. This time, as Neffie succumbs to strange visions, Jessica holds her tightly, and they both travel to a place with a “pumpkin colored” sky and a reddish sun. This is the “Fastness”—an entirely different universe. Neffie, it turns out, is known as Lady Neffatira here, and she belongs to a blood-clan known as the Sargies who duel with other clans for possession of people. Xavier’s latest novel is a fantasy that explores aspects of bigotry in intriguing ways. For example, people with green eyes, such as fellow human Kerem Alp, are automatically considered thieves in the Fastness. The novel also features striking visual descriptions; for instance, when Gannen activates Neffie’s power, “The stars brightened, crackled and began oozing...like drips of glowing water rolling down black glass.” In the end, although Neffie is too young to fully embrace her destiny as one of the Fastness’ “half-human super-champions,” she nevertheless risks all for love and life. After this installment’s cliffhanger, fans will likely flock to a sequel.
A rousing series opener with equal portions of action and social commentary.Pub Date: Dec. 15, 2019
ISBN: 978-1-63393-842-7
Page Count: 254
Publisher: Koehler Books
Review Posted Online: Oct. 10, 2019
Kirkus Reviews Issue: Nov. 15, 2019
Review Program: Kirkus Indie
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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