by Tom Zoellner ‧ RELEASE DATE: Oct. 13, 2020
Highly recommended. Zoellner will acquaint you with byways, and mores, you never knew existed.
America is a vast and daunting prospect, and Zoellner thirsts for more.
Longing for a kind of national cultural citizenship, the author knows that absorbing even the barest fraction of a country’s everyday majesty, and tribulation, is the work of a lifetime. He seems up to the task. In addition to his seven previous books, Zoellner, the politics editor of the Los Angeles Review of Books, teaches at Chapman University and Dartmouth College. The principal inspiration for this collection was journalist John Gunther’s Inside U.S.A. (1947), which Zoellner calls “a staggering achievement and the best tome about this nation ever written.” Taking on a similar task, Zoellner wonders how an increasingly fractured nation of such disparate lands and peoples remains united, however tenuously, in a consensus informed by the Constitution. The author’s diverse, penetrating essays, some previously published, can only answer that question in part, but his effort is valiant, deeply moral, and often moving, based on observations gleaned from 30 years of crisscrossing the country, frequently by car. Zoellner grasps all the touchstones and knows all too well the challenges and depredations, be they cultural or ecological. He also traverses the fault lines, from the income, opportunity, and urban-rural divides to immigration and the growing distrust of key liberal values by those inhabiting “zones of exclusion.” He also vivifies many historic emblems, including the mythic scaffolding of the Church of Jesus Christ of Latter-day Saints or how King Philip’s War in Puritan New England was a tragic template for the destruction of Native lands in America. Zoellner exposes naiveté, foolishness, and malfeasance with equal clarity, but he is evenhanded and sometimes produces a piece of sardonic humor, haunting beauty, or melancholy that pulsates on the page. He is both a first-rate reporter with years of newspaper and magazine work behind him and a skilled stylist who makes you want to come back for more.Highly recommended. Zoellner will acquaint you with byways, and mores, you never knew existed.
Pub Date: Oct. 13, 2020
Page Count: 304
Review Posted Online: May 28, 2020
Kirkus Reviews Issue: June 15, 2020
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by Walter Isaacson ‧ RELEASE DATE: Sept. 12, 2023
Alternately admiring and critical, unvarnished, and a closely detailed account of a troubled innovator.
A warts-and-all portrait of the famed techno-entrepreneur—and the warts are nearly beyond counting.
To call Elon Musk (b. 1971) “mercurial” is to undervalue the term; to call him a genius is incorrect. Instead, Musk has a gift for leveraging the genius of others in order to make things work. When they don’t, writes eminent biographer Isaacson, it’s because the notoriously headstrong Musk is so sure of himself that he charges ahead against the advice of others: “He does not like to share power.” In this sharp-edged biography, the author likens Musk to an earlier biographical subject, Steve Jobs. Given Musk’s recent political turn, born of the me-first libertarianism of the very rich, however, Henry Ford also comes to mind. What emerges clearly is that Musk, who may or may not have Asperger’s syndrome (“Empathy did not come naturally”), has nurtured several obsessions for years, apart from a passion for the letter X as both a brand and personal name. He firmly believes that “all requirements should be treated as recommendations”; that it is his destiny to make humankind a multi-planetary civilization through innovations in space travel; that government is generally an impediment and that “the thought police are gaining power”; and that “a maniacal sense of urgency” should guide his businesses. That need for speed has led to undeniable successes in beating schedules and competitors, but it has also wrought disaster: One of the most telling anecdotes in the book concerns Musk’s “demon mode” order to relocate thousands of Twitter servers from Sacramento to Portland at breakneck speed, which trashed big parts of the system for months. To judge by Isaacson’s account, that may have been by design, for Musk’s idea of creative destruction seems to mean mostly chaos.Alternately admiring and critical, unvarnished, and a closely detailed account of a troubled innovator.
Pub Date: Sept. 12, 2023
Page Count: 688
Publisher: Simon & Schuster
Review Posted Online: Sept. 12, 2023
Kirkus Reviews Issue: Oct. 15, 2023
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A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
Awards & Accolades
New York Times Bestseller
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
Pub Date: July 12, 2022
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
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