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ISLAND ON FIRE

Name: ISLAND ON FIRE
Author: Tom Zoellner
ISBN: 978-0-674-98430-1

THE REVOLT THAT ENDED SLAVERY IN THE BRITISH EMPIRE

by Tom Zoellner ‧ RELEASE DATE: May 12, 2020

An elucidating study of one of the lesser-known slave rebellions of the 19th century.

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An engaging history of the horrific system of slavery practiced in Jamaica and the slave revolt that finally killed it. By the time the educated preacher Samuel Sharpe aroused his fellow slaves and neighbors to rebellion right after Christmas in 1831, there were only a few dozen elite English families in control of the vast sugar wealth of Jamaica, lording it over thousands of slaves. Sugar was the root of this evil, and Zoellner expertly delineates the massive human toll. “Feeding this addiction on a grand scale,” writes the author, “was made possible by the labor of the approximately 860,000 kidnapped Africans transported to Jamaica as slaves between 1600 and 1807.” Zoellner chronicles how young Englishmen jumped at the chance to gain their fortunes in the West Indies, and he ably shows how routinely and swiftly the degradations of slavery corrupted them. In Jamaica, life was short for both slave and master, for different reasons. The white population, vastly outnumbered by slaves, faced the “looming specter of rebellion and death,” which caused them to live unhealthy, hedonistic lives. “As an appalled visitor observed,” writes the author, “the white inhabitants ‘live like the people of Sodom and Gomorrah…they drink, eat, play, and dance, become pale as death and die like flies.’ ” The news of Nat Turner's revolt only months before had fired Sharpe's imagination—and horrified the planters—and he preached to his fellow slaves that their masters were actually keeping their freedom from them, granted in England, where a growing anti-slavery faction was gaining steam. The fuel was ready for ignition, and the fires burned all over the plantations during those first nights of rebellion. Resurrecting this important historical episode, Zoellner moves nimbly through the research, giving an exciting account of the events as well as the significant consequences when the news reached England weeks later. An elucidating study of one of the lesser-known slave rebellions of the 19th century.

Pub Date: May 12, 2020

ISBN: 978-0-674-98430-1

Page Count: 377

Publisher: Harvard Univ.

Review Posted Online: May 10, 2020

Categories:

- BOOK REVIEW
THE NATIONAL ROAD
by Tom Zoellner

- BOOK REVIEW
TRAIN
by Tom Zoellner

- BOOK REVIEW
A SAFEWAY IN ARIZONA
by Tom Zoellner

- AWARDS
Finalists for the NBCC Awards Are Announced

- AWARDS
National Book Critics Circle Presents Awards

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THE STORY OF ART WITHOUT MEN

by Katy Hessel ‧ RELEASE DATE: May 2, 2023

An overdue upending of art historical discourse.

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An indispensable primer on the history of art, with an exclusive focus on women.

Prominent 19th-century art critic John Ruskin once proclaimed, “the woman’s intellect is not for invention or creation, but for sweet ordering, arrangement, and decision,” and traces of this misguided and malignant sentiment can still be found over a century later in art institutions around the world. A 2019 study found that “in the collections of eighteen major US art museums, 87 percent of artworks were by men, and 85 percent by white artists.” There’s a lot to be mad about, but London-based art historian Hessel nimbly pivots that energy into a constructive, revelatory project. This book is not a mere rebuttal to the aforementioned discrimination; deftly researched, the text reveals an alternate history of centuries of artistic movements. With palpable excitement, the author shifts the focus from widely known male participants to the unsung female players of the time. Art aficionados will delight in Hessel’s sleight of hand and marvel at her wide, inclusive reach. Spanning from Baroque art to the present day, she effortlessly removes “the clamour of men” and, in a series of short biographical profiles, shapes a historical arc that still feels grounded even without a familiar male presence. Art history must “reset,” Hessel writes, and she positions her book as an important first step in that reconfiguration. While the author progresses mostly movement by movement, her broader tangents are particularly profound. One of many highlights is a generous overview of queer artists of the Weimar era. Hessel is occasionally uneven with how much content she allots each artist, and some perfunctory profiles feel like the result of trying to highlight as many names as possible. Nonetheless, even the shortest gloss provides enough intrigue to be a successful introduction to an artist who might otherwise be forgotten.

An overdue upending of art historical discourse.

Pub Date: May 2, 2023

ISBN: 9780393881868

Page Count: 512

Publisher: Norton

Review Posted Online: Feb. 16, 2023

Kirkus Reviews Issue: March 15, 2023

Categories:

ART & PHOTOGRAPHY | HISTORY | WORLD | CURRENT EVENTS & SOCIAL ISSUES | WOMEN & FEMINISM

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Awards & Accolades

Our Verdict

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New York Times Bestseller

IndieBound Bestseller

ON JUNETEENTH

by Annette Gordon-Reed ‧ RELEASE DATE: May 4, 2021

A concise personal and scholarly history that avoids academic jargon as it illuminates emotional truths.

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Awards & Accolades

Our Verdict

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New York Times Bestseller

IndieBound Bestseller

The Harvard historian and Texas native demonstrates what the holiday means to her and to the rest of the nation.

Initially celebrated primarily by Black Texans, Juneteenth refers to June 19, 1865, when a Union general arrived in Galveston to proclaim the end of slavery with the defeat of the Confederacy. If only history were that simple. In her latest, Gordon-Reed, winner of the Pulitzer Prize, National Book Award, Anisfield-Wolf Book Award, and numerous other honors, describes how Whites raged and committed violence against celebratory Blacks as racism in Texas and across the country continued to spread through segregation, Jim Crow laws, and separate-but-equal rationalizations. As Gordon-Reed amply shows in this smooth combination of memoir, essay, and history, such racism is by no means a thing of the past, even as Juneteenth has come to be celebrated by all of Texas and throughout the U.S. The Galveston announcement, notes the author, came well after the Emancipation Proclamation but before the ratification of the 13th Amendment. Though Gordon-Reed writes fondly of her native state, especially the strong familial ties and sense of community, she acknowledges her challenges as a woman of color in a state where “the image of Texas has a gender and a race: “Texas is a White man.” The author astutely explores “what that means for everyone who lives in Texas and is not a White man.” With all of its diversity and geographic expanse, Texas also has a singular history—as part of Mexico, as its own republic from 1836 to 1846, and as a place that “has connections to people of African descent that go back centuries.” All of this provides context for the uniqueness of this historical moment, which Gordon-Reed explores with her characteristic rigor and insight.

A concise personal and scholarly history that avoids academic jargon as it illuminates emotional truths.