A sweet, sexy read with complicated, likable leads, a swoonworthy seaside setting, and a positive message about...
This enemies-to-lovers romance follows the relationship of an eager-to-please author and her artist neighbor in Bodega Bay, California.
Millie Hart, 33, is a New York Times–bestselling author—of romance, much to the chagrin of her estranged father, a bookseller. To satisfy him once and for all, she vows to write the next big literary classic and rents a coastal cottage for three months, accompanied only by her cat, Pop-Tart. Almost immediately, Millie finds herself in a battle of wits, and very loud music, with her handsome but irritating neighbor. Drake Branch uprooted his life—from city to hometown—after a motorcycle accident left him with only one arm. Despite a successful glass-blowing career and a cadre of supportive family and friends, Drake’s nightmares and triggering flashbacks persist. The arrival of an attractive, but stubborn, new neighbor doesn’t help his anxiety level. Though Millie finds herself stuck writing the kind of novel that’s serious but gloomy, a far cry from her usual happily-ever-afters, she quickly adapts to small-town life and its quirky cast. Thanks to the encouragement of Drake’s colleagues and his aunt Nikki, who owns the town’s romance bookstore, he starts to reconsider his neighbor, who shares his hatred of wearing headphones. Millie and Drake get cozy over a night of pizza, wine, and glass blowing, but when Millie’s father reappears in her life and the ghosts of Drake’s past return with a vengeance, will their love survive? Ewens (Tap, 2018, etc.) is a skilled storyteller, writing from both Millie’s and Drake’s perspectives and giving each distinctive personalities and struggles. Every character—Drake’s mentor, Esteban; Esteban’s college-bound daughter, Hazel; Millie’s best friend and literary agent, Jade—is thoughtfully imagined. Though the title is a bit misleading, as “blow” is also slang for cocaine, the chemistry is palpable, the plot points clear, and the subplot regarding the stigma against romance fiction and authors incredibly accurate.
A sweet, sexy read with complicated, likable leads, a swoonworthy seaside setting, and a positive message about relationships.Pub Date: June 12, 2019
ISBN: 978-1-73232-163-2
Page Count: 316
Publisher: Time Tunnel Media
Review Posted Online: June 21, 2019
Kirkus Reviews Issue: Aug. 1, 2019
Review Program: Kirkus Indie
This is a masterly novel. It will appeal to all lovers of fiction of the first order.
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana.
The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense.
This is a masterly novel. It will appeal to all lovers of fiction of the first order.Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
IN THE NEWS
SEEN & HEARD
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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