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Playbook

A LOVE STORY

A wholesome tale about playing football, taking chances, making the grade, and sometimes even wearing a little glitter.

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A contemporary romance about a buttoned-up English professor who falls for her polar opposite, the football coach.

Anna Jeffries, a quiet, humble Shakespeare aficionado, has always been most comfortable inside her own head. She teaches a class on the Bard at the University of California, Berkeley, where she is fighting for a tenured position. Her newest crop of students includes one of the school’s most promising football players. Unfortunately, the guy is self-conscious in Anna’s highbrow class, and he’s not doing well thanks to his reluctance to participate. His coach, Dane Spivac, seeks Anna out in the faculty lounge, hoping to intervene on the player’s behalf. Anna and Dane take an immediate dislike to each other. She sees a snarky jock, and he sees a pedantic snob. After their contentious meeting, however, neither can forget about the other. Anna and Dane cross paths over and over again, arguing anew each time and driving each other crazy. As they work together to help to nurture their student, Anna and Dane slowly begin to acknowledge their attraction and appreciation for each other. When Dane finally makes a grand gesture to declare his devotion, his actions have the unfortunate side effect of angering the tenure committee, jeopardizing Anna’s career and rendering her relationship with Dane even more tenuous. As Ewens (Vacancy: A Love Story, 2016, etc.) depicts Dane and Anna dancing in circles around each other, she also fills her pages with humor, playful dialogue, and copious, but well-placed, references to Shakespeare plays. The narrative is fast-paced and accessible, with many deeply touching and unexpected scenes about loss and emotional health. As Ewens toggles between the ivory tower and the college football field, a few moments become clichéd. Even so, the romance that builds between Anna and Dane is sufficiently suspenseful and nuanced that readers will continue turning pages with glee.

A wholesome tale about playing football, taking chances, making the grade, and sometimes even wearing a little glitter.

Pub Date: Jan. 24, 2017

ISBN: N/A

Page Count: 245

Publisher: CreateSpace

Review Posted Online: Nov. 23, 2016

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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