A thoughtful but unsatisfying story, with trite prose, careless structure, and confusing changes in narrative voice. Bauer...
Paradise, Nebraska, is anything but—especially for a pregnant teenager looking to escape a stifling small town and her memories of her younger brother’s violent death.
Jade Engler has no second thoughts about leaving her careworn, feckless father and foolish stepmother to find her mother Rexanne, who decamped months ago after Jade’s brother Benjamin died at the hands of local boys who had taunted him for his effeminate ways. Jade is racked by guilt. She had never stopped Ben's tormentors from bullying him, and she’s even had sex with several of the possible culprits—perhaps, she muses, to provide herself with a replacement little brother. At length her travels take her to New England, where she works as an au pair and finds her mother caring for Jade’s near-senile grandmother and coaxing the family history out of the old lady before she dies. Searching for truth and wisdom in her own aimless way, Jade is intrigued by the stories of her rebellious grandmother and great-grandmother; and she listens as well to the earthy advice of Pearline, a Jamaican cleaning woman who works for various upscale married couples. Jade can’t decide whether to give up her unborn baby for adoption when the time comes (several fortuitous upscale couples are ready and willing). Finally, her desultory journey ends in San Francisco, where she’s taken in by her stepmother’s gay cousin Robert. Here, nine months older but not noticeably wiser, she gives birth and quits brooding about her brother’s martyrdom.
A thoughtful but unsatisfying story, with trite prose, careless structure, and confusing changes in narrative voice. Bauer (Hollywood & Hardwood, 1999, etc.) veers perilously close to YA style this time, and that’s a pity, because her powerful subject certainly deserves a more passionate and focused exploration.Pub Date: Oct. 25, 2000
ISBN: 0-312-26647-2
Page Count: 350
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 2000
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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