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KATY'S GHOST

A moving, if occasionally flawed, exploration of one woman’s attempt to conquer lifelong anxieties.

In Evans’ debut novel, a former teacher, haunted by a phantom, learns to move beyond fear and toward acceptance.

Katy Welborn McAndrews is a breast cancer survivor, but despite being cancer-free for three years, her doctor advises her against getting pregnant, as it could raise the risk that the cancer will return. Then Katy receives a visit from the spirit of her beloved grandmother, who died 11 years ago. Despite her death, it appears that Gram hasn’t lost the usual spring in her step. During her frequent visitations and reminiscences, she and Katy pore through their pasts, uncovering old hurts and fears along the way. Despite the somewhat familiar nature of the narrative, Evans throws in a few twists and turns; for example, an early plot thread about Katy’s uncle Rollie and younger sister Wendy appears to be heading toward predictable territory, but takes an unexpected, sharp turn to become an exploration of heredity, and how a child’s perceptions shape the adult they later become. Although the fearful nature of Evans’ protagonist can be occasionally wearying, Katy still comes across as a realistic portrayal of a trauma survivor, and her steps toward freedom as she escapes the shackles of her past feel earned. The ghostly Gram is also a fully realized character, offering verve, timidity, and regret in varying measures as Katy’s understanding of her deepens. That said, other secondary players feel flat and underdeveloped, and the chronology of the narrative feels unclear. Overall, though, Katy and Gram’s story has moments of wit and sublime epiphany.

A moving, if occasionally flawed, exploration of one woman’s attempt to conquer lifelong anxieties.

Pub Date: Oct. 22, 2019

ISBN: 978-1-73323-490-0

Page Count: 356

Publisher: StoneArch Bridge Books

Review Posted Online: Oct. 7, 2019

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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