A laugh-out-loud take on big-time golfing, as a small-time hustler more than holds his own against the egos, bank balances, blood feuds, and beer guts of international pros. After seedy southern Florida golf hustler Eddie Caminetti uses his con-man skills, as well as his superbly controlled golfing technique, to pick the pocket of seasoned pro Al Bellamy, Bellamy invites him—begs him—and then bribes him (with $100,000) to join the 12-man all-star team representing the US against an elite troupe of Europeans for the Ryder Cup. Bellamy hopes that Caminetti’s uncanny ability to read a player’s weakness and play against it will give the Americans an edge in this biennial contest—which, unlike traditional competitions, in which players score against the course, forces some of the world’s most fiercely independent, conceited, and downright crazy athletes to score as a team. Though narrator Bellamy is supposed to be in control, Caminetti, a street-smart Joe Pesci type, quickly takes over, besting whiz kid Derek Anouilh (a stand-in for Tiger Woods) in a qualifying match by flattering the boy. He also saves the team from the embarrassing entreaties of a drunken pro, plots group strategy, takes on an overweight L.A. ghetto kid as a caddy, and delivers numerous golf-is-life wisdom speeches when antagonisms between players bubble to a boil. Newcomer McAllister makes the intricacies of the game exciting, even thrilling, as he contrasts Caminetti’s hardened pragmatism with the ridiculous behavior of the pros, asking whether, in this most tedious of sports, it’s skill or personality that ultimately wins the game. When Caminetti apparently makes a lucrative side-bet with the Europeans that might compel him to betray his team, Bellamy has to question the point of winning in pro sports: Is it about the money, the fame, or the quiet satisfaction of hoodwinking your opponent? A breezy clubhouse yarn that works as a meditation on competition and intense insiderdom: rollicking fun.
Pub Date: April 20, 1999
ISBN: 0-385-49459-9
Page Count: 304
Publisher: Doubleday
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1999
BOOK REVIEW
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...
Sisters in and out of love.
Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.Pub Date: May 1, 2003
ISBN: 0-345-45073-6
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: April 1, 2003
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
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