A capably written introduction to a political leader who, though no rock star, deserves to be better known.
Robust biography of an overlooked president.
There aren’t many good reasons that Grover Cleveland (1837-1908) is largely forgotten alongside such fellow presidents as Millard Fillmore and Franklin Pierce, yet there he is. Granted, writes former George W. Bush speechwriter Senik, he “didn’t look like a president. He looked like a foundry foreman.” Bulky, but with an oddly high-pitched and nasal voice, he had a quick temper accentuated by the habit of pounding his fist on a table to make an objection known. Cleveland certainly has demerits on his resume. For one, surrounded by Civil War generals who entered politics, he paid a Polish immigrant (who, happily, survived the war unscathed) to take his place, leading to the charge that he “was an unpatriotic elite who bought his way out of the war.” The elite part is wrong, Senik holds, for Cleveland was a working man who was more or less swept into politics without having much in the way of political ambition, and one who “was perpetually sensitive to the fact that his mandate was to rise above reflexive party loyalty.” As both governor of New York and president, he forged coalitions that frequently had more Republican than Democratic support, and many of his positions, especially on fiscal matters, were conservative. Yet, as Senik enumerates, he also established progressive policies, including requiring corporations to file quarterly financial reports and pressing for penal reforms to limit the use of force in prison, since “he suspected the authorities were exceeding the letter of the law.” He opposed the plot to overthrow the government of independent Hawaii, and he had a determinedly anti-imperialist bent. Freely exercising his veto power, his central conviction was that “government exists to protect the welfare of the people as a whole.” Practical rather than ideological, he got plenty done.
A capably written introduction to a political leader who, though no rock star, deserves to be better known.Pub Date: Sept. 20, 2022
ISBN: 978-1-982140-74-8
Page Count: 384
Publisher: Threshold Editions/Simon & Schuster
Review Posted Online: Aug. 10, 2022
Kirkus Reviews Issue: Sept. 1, 2022
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
A juicy story with some truly crazy moments, yet Anderson's good heart shines through.
The iconic model tells the story of her eventful life.
According to the acknowledgments, this memoir started as "a fifty-page poem and then grew into hundreds of pages of…more poetry." Readers will be glad that Anderson eventually turned to writing prose, since the well-told anecdotes and memorable character sketches are what make it a page-turner. The poetry (more accurately described as italicized notes-to-self with line breaks) remains strewn liberally through the pages, often summarizing the takeaway or the emotional impact of the events described: "I was / and still am / an exceptionally / easy target. / And, / I'm proud of that." This way of expressing herself is part of who she is, formed partly by her passion for Anaïs Nin and other writers; she is a serious maven of literature and the arts. The narrative gets off to a good start with Anderson’s nostalgic memories of her childhood in coastal Vancouver, raised by very young, very wild, and not very competent parents. Here and throughout the book, the author displays a remarkable lack of anger. She has faced abuse and mistreatment of many kinds over the decades, but she touches on the most appalling passages lightly—though not so lightly you don't feel the torment of the media attention on the events leading up to her divorce from Tommy Lee. Her trip to the pages of Playboy, which involved an escape from a violent fiance and sneaking across the border, is one of many jaw-dropping stories. In one interesting passage, Julian Assange's mother counsels Anderson to desexualize her image in order to be taken more seriously as an activist. She decided that “it was too late to turn back now”—that sexy is an inalienable part of who she is. Throughout her account of this kooky, messed-up, enviable, and often thrilling life, her humility (her sons "are true miracles, considering the gene pool") never fails her.
A juicy story with some truly crazy moments, yet Anderson's good heart shines through.Pub Date: Jan. 31, 2023
ISBN: 9780063226562
Page Count: 256
Publisher: Dey Street/HarperCollins
Review Posted Online: Dec. 5, 2022
Kirkus Reviews Issue: Jan. 1, 2023
SEEN & HEARD
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