‧ RELEASE DATE: Feb. 1, 2017
An exciting, action-packed fourth installment to a series that keeps getting better.
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The fourth book in Duff's (Off Beat, 2017, etc.) Weir Chronicles brings together allies old and new as the battle to save two worlds from an evil clan leader continues.
In the last book, Ian Black learned that the Primary, the leader of the Pur, is as scheming and manipulative as his Duach brother, Aeros. Ian, the Pur Heir, has struck up an uneasy alliance with the Duach rebels, including their Heir, Jaered. They plan to join forces against Aeros, who plans to finish draining the core energy of Earth and his homeworld, Thrae. But before they can do so, Ian wants to go to Thrae to find Rayne, the woman he loves; he learns that she’s in the company of Gwynn, the mother that Ian’s never met. Meanwhile, on Earth, Jaered is teaching the newly risen third Heir, Patrick, how to control his powers, such as teleportation (“shyfting”) and generating energy blasts. It’s slow going—Patrick believed that he was human before he learned that his mother is actually the Duach rebel leader Eve, and he’s still shocked by his true heritage. As all three Heirs and their friends prepare for a final, decisive battle against Aeros and the Primary, new secrets will be revealed. Earlier volumes in this sci-fi series sometimes suffered from a surfeit of exposition and too little forward momentum. This time around, though, Duff’s world is fully fleshed out, allowing for a quick-moving plot that spans multiple locations and even multiple dimensions. Although the cast of characters hasn’t gotten any smaller, they’re all well-developed enough to avoid confusion. Duff is especially adept at action scenes—the book’s many pitched battles are a joy to read—and Rayne and Ian’s romance, which was neglected in the previous book, effectively returns to the forefront here.
An exciting, action-packed fourth installment to a series that keeps getting better.Pub Date: Feb. 1, 2017
ISBN: 978-0-9970156-4-5
Page Count: -
Publisher: CrossWinds Publishing
Review Posted Online: June 6, 2017
Review Program: Kirkus Indie
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by Harper Lee ‧ RELEASE DATE: July 11, 1960
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
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by Harper Lee ; edited by Casey Cep
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by Harper Lee
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SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
by Larry McMurtry ‧ RELEASE DATE: June 1, 1985
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
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