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O SHEPHERD, SPEAK!

This the tenth- and the author expresses his hope, the last —of the Lanny Budd series, brings the adventures of the presidential agent through the war crimes trials, the conflict- diplomatically speaking- with the Soviet, and finds him at the end in a position of trust with the new administration, sent to Moscow as Trumen's personal representative. The first half of the book is, as in previous volumes, set against a background of reality, with Lanny serving in a very special relation with Monuments, — sent into all parts of Europe as the occupation troops take over, to interrogate Germans who might help locate art treasures, accompanying some of the important survey expeditions, using his previous contacts as a bona fide art expert and advisor to the German leaders to worm facts from these very leaders as prisoners. He was caught in Bastogne; did signal service there and in Nancy and Luxembourg, in Munich and Nuremberg. From Europe to America and back- now at the summons of Roosevelt, now of the army. His intimate relations are, presumably, established by use of such nicknames as "Georgie" (Patton), a habit rather irritating to this reader! Lanny Budd addicts will welcome tying up loose threads as lost personalities are found- old friends reintroduced, — Monck, Hansi and Bess, Freddi Robin, Marceline, Rick (now a baronet, but still set on world betterment) and Nina his wife. Emily Chatterton has died, willing a million to Lanny in trust for world peace. And the development of this idea, with various ramifications (radio, syndicate, newspaper, authors' agency, etc.) provides the fictional last half of the story. There are bits here and there linked closely to history. Lanny is present at Los Alamos, for the important text. But in the main, his story shifts from men of action to men of ideas, so this is considerably less melodramatic in the personal sense than its predecessors. Will that decrease its market? I doubt it, for the Lanny Budd fan will go through with him to the end.

Pub Date: July 22, 1949

ISBN: 1931313105

Page Count: 330

Publisher: Viking

Review Posted Online: April 11, 2012

Kirkus Reviews Issue: July 1, 1949

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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