A powerful border story, at once intellectual and heartfelt.
A family treks south to the U.S.–Mexico border, bearing tales of broken migrant families all the way down.
In her last nonfiction book, Tell Me How It Ends (2017), Luiselli wrote about her work as a translator for Latin American families attempting to enter the U.S. This remarkable, inventive fictional take on the theme captures the anguish of those families through a deliberate piling-up of stories; reading it, you feel yourself slowly coming face to face with a world where masses of children are separated, missing, or dead of exposure in the desert. Luiselli eases into the tale by introducing an unnamed New York couple, both audio documentarians, driving their children, ages 10 and 5, to the Arizona-Mexico border. The father wants to explore the remnants of Apache culture there; the mother, who narrates much of the book, is recording an audio essay on the border crisis and has promised a woman to look into the fates of her two daughters who’ve been detained. As they drive, they alternate listening to news reports about the border and an audiobook of Lord of the Flies, and the opening sections are thick with literary references and social critique; imagine On the Road rewritten by Maggie Nelson. But the story darkens as they witness the plight firsthand and, later, as the couple's children stumble into their own crisis. There’s a slightly bloodless, formal aspect to the novel in the early going: It's structured around “archive boxes” that each character carries in the car’s trunk, and a book of elegies the mother reads to the children is made up of variations on works by Ezra Pound, Joseph Conrad, Juan Rulfo, and more. In the current political moment, one might want a less abstruse approach. But as the novel rises to a ferocious climax in a 20-page-long single sentence, Luiselli thunderously, persuasively insists that reckoning with the border will make deep demands of both our intellectual and emotional reserves.
A powerful border story, at once intellectual and heartfelt.Pub Date: Feb. 12, 2019
ISBN: 978-0-525-52061-0
Page Count: 400
Publisher: Knopf
Review Posted Online: Oct. 27, 2018
Kirkus Reviews Issue: Nov. 15, 2018
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
The story's very ambiguity steadily feeds its mysteriousness and power, and Danielewski's mastery of postmodernist and...
An amazingly intricate and ambitious first novel - ten years in the making - that puts an engrossing new spin on the traditional haunted-house tale.
Texts within texts, preceded by intriguing introductory material and followed by 150 pages of appendices and related "documents" and photographs, tell the story of a mysterious old house in a Virginia suburb inhabited by esteemed photographer-filmmaker Will Navidson, his companion Karen Green (an ex-fashion model), and their young children Daisy and Chad. The record of their experiences therein is preserved in Will's film The Davidson Record - which is the subject of an unpublished manuscript left behind by a (possibly insane) old man, Frank Zampano - which falls into the possession of Johnny Truant, a drifter who has survived an abusive childhood and the perverse possessiveness of his mad mother (who is institutionalized). As Johnny reads Zampano's manuscript, he adds his own (autobiographical) annotations to the scholarly ones that already adorn and clutter the text (a trick perhaps influenced by David Foster Wallace's Infinite Jest) - and begins experiencing panic attacks and episodes of disorientation that echo with ominous precision the content of Davidson's film (their house's interior proves, "impossibly," to be larger than its exterior; previously unnoticed doors and corridors extend inward inexplicably, and swallow up or traumatize all who dare to "explore" their recesses). Danielewski skillfully manipulates the reader's expectations and fears, employing ingeniously skewed typography, and throwing out hints that the house's apparent malevolence may be related to the history of the Jamestown colony, or to Davidson's Pulitzer Prize-winning photograph of a dying Vietnamese child stalked by a waiting vulture. Or, as "some critics [have suggested,] the house's mutations reflect the psychology of anyone who enters it."
The story's very ambiguity steadily feeds its mysteriousness and power, and Danielewski's mastery of postmodernist and cinema-derived rhetoric up the ante continuously, and stunningly. One of the most impressive excursions into the supernatural in many a year.Pub Date: March 6, 2000
ISBN: 0-375-70376-4
Page Count: 704
Publisher: Pantheon
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2000
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