The most imaginative and outrageous in the series thus far. It would be a crime and a sin, and just plain un-neighborly, to...

MRS. ROBERTO

OR THE WIDOWY WORRIES OF THE MOOSEPATH LEAGUE

An exuberant superabundance of plot distinguishes this fourth installment of the popular author’s ongoing Moosepath Chronicles (Daniel Plainway, 2000, etc.).

Once again, kindly bachelor Tobias Walton and his strapping “gentleman’s gentleman” Sundry Moss find themselves on the road in the general vicinity of Portland, Maine, and points thereabouts, reencountering old acquaintances (among them Cordelia Underwood, eponymous heroine of the initial Moosepath Chronicle), and pausing for fascinating intrigues at Fern Farm, where the enigma of a depressed pig named Hercules masks an even more unusual family scandal. Meanwhile, Moosepathian Joseph Thump, having learned that the celebrated “ascensionist” Dorothea Roberto is pursued by dastardly villains, travels with fellow clubmen Eagleton and Ephram from crime boss Fuzz Hadley’s Portland waterfront to a hobo “shantytown,” thence toward the hamlet of Dresden Mills, where rural mailwoman Deborah Pilican (a.k.a. bestselling novelist Rudolpha Limington Harold, among other pseudonyms) lives out a real romantic fantasy, and where a conflagration in the nearby town of Iceboro brings most of Reid’s remarkably busy characters coincidentally together. In the series’ now-familiar manner, subplots keep springing surprises (there’s a doozy involving Thump’s mirror image, tavernkeeper Thaddeus Sharp, the latter’s plucky son Timothy, and Tim’s waiflike friend Mailon); charming absurdities multiply exponentially (don’t miss the episode in which a boisterous drunk throws a piano out a second-story window, or the explanation for Hercules’ seeming drunken state); and (Groucho-) Marxist near–non sequiturs (“I once knew a cow that had a very refined sense of humor,” etc.). Good prevails, lovers are united, the social fabric is deftly mended, and all ends well, with Mr. Walton prepared to head for Halifax, and further delightfully implausible Dickensian adventures.

The most imaginative and outrageous in the series thus far. It would be a crime and a sin, and just plain un-neighborly, to miss it.

Pub Date: July 14, 2003

ISBN: 0-670-03225-5

Page Count: 352

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: June 1, 2003

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Unrelenting gloom relieved only occasionally by wrenching trauma; somehow, though, Hannah’s storytelling chops keep the...

FLY AWAY

Hannah’s sequel to Firefly Lane (2008) demonstrates that those who ignore family history are often condemned to repeat it.

When we last left Kate and Tully, the best friends portrayed in Firefly Lane, the friendship was on rocky ground. Now Kate has died of cancer, and Tully, whose once-stellar TV talk show career is in free fall, is wracked with guilt over her failure to be there for Kate until her very last days. Kate’s death has cemented the distrust between her husband, Johnny, and daughter Marah, who expresses her grief by cutting herself and dropping out of college to hang out with goth poet Paxton. Told mostly in flashbacks by Tully, Johnny, Marah and Tully’s long-estranged mother, Dorothy, aka Cloud, the story piles up disasters like the derailment of a high-speed train. Increasingly addicted to prescription sedatives and alcohol, Tully crashes her car and now hovers near death, attended by Kate’s spirit, as the other characters gather to see what their shortsightedness has wrought. We learn that Tully had tried to parent Marah after her father no longer could. Her hard-drinking decline was triggered by Johnny’s anger at her for keeping Marah and Paxton’s liaison secret. Johnny realizes that he only exacerbated Marah’s depression by uprooting the family from their Seattle home. Unexpectedly, Cloud, who rebuffed Tully’s every attempt to reconcile, also appears at her daughter’s bedside. Sixty-nine years old and finally sober, Cloud details for the first time the abusive childhood, complete with commitments to mental hospitals and electroshock treatments, that led to her life as a junkie lowlife and punching bag for trailer-trash men. Although powerful, Cloud’s largely peripheral story deflects focus away from the main conflict, as if Hannah was loath to tackle the intractable thicket in which she mired her main characters.

Unrelenting gloom relieved only occasionally by wrenching trauma; somehow, though, Hannah’s storytelling chops keep the pages turning even as readers begin to resent being drawn into this masochistic morass.

Pub Date: April 23, 2013

ISBN: 978-0-312-57721-6

Page Count: 416

Publisher: St. Martin's

Review Posted Online: Feb. 18, 2013

Kirkus Reviews Issue: March 1, 2013

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THE COLDEST WINTER EVER

Debut novel by hip-hop rap artist Sister Souljah, whose No Disrespect (1994), which mixes sexual history with political diatribe, is popular in schools country-wide. In its way, this is a tour de force of black English and underworld slang, as finely tuned to its heroine’s voice as Alice Walker’s The Color Purple. The subject matter, though, has a certain flashiness, like a black Godfather family saga, and the heroine’s eventual fall develops only glancingly from her character. Born to a 14-year-old mother during one of New York’s worst snowstorms, Winter Santiaga is the teenaged daughter of Ricky Santiaga, Brooklyn’s top drug dealer, who lives like an Arab prince and treats his wife and four daughters like a queen and her princesses. Winter lost her virginity at 12 and now focuses unwaveringly on varieties of adolescent self-indulgence: sex and sugar-daddies, clothes, and getting her own way. She uses school only as a stepping-stone for getting out of the house—after all, nobody’s paying her to go there. But if there’s no money in it, why go? Meanwhile, Daddy decides it’s time to move out of Brooklyn to truly fancy digs on Long Island, though this places him in the discomfiting position of not being absolutely hands-on with his dealers; and sure enough the rise of some young Turks leads to his arrest. Then he does something really stupid: he murders his wife’s two weak brothers in jail with him on Riker’s Island and gets two consecutive life sentences. Winter’s then on her own, especially with Bullet, who may have replaced her dad as top hood, though when she selfishly fails to help her pregnant buddy Simone, there’s worse—much worse—to come. Thinness aside: riveting stuff, with language so frank it curls your hair. (Author tour)

Pub Date: April 1, 1999

ISBN: 0-671-02578-3

Page Count: 320

Publisher: Pocket

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Feb. 1, 1999

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