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FOUR OF A KIND

A WOMEN'S HISTORICAL FICTION

An edifying historical saga for readers interested in the evolution of women’s rights.

Russell’s debut historical novel explores the women’s rights movement through the eyes of four successive generations.

In December 1963, great-grandmother Ruby Wright gathers together her daughter, Bess Wright-Pickering; granddaughter, Katy Pickering; and great-granddaughter, Jesi Pickering. She gives them each the task of writing about their “year of awakening,” or, as Bess explains it, “a year of 4 seasons, where the spring seed of an event is born, grows, matures, and becomes winter wisdom as a life-changing realization.” Ruby, who came of age near the turn of the 20th century, discusses her stifling experiences as a Victorian-era housewife and her participation in the nascent women’s suffrage movement. She often brought her bright, obedient daughter, Bess, to the demonstrations, and the girl readily took up her mother’s mantle, later crusading for women’s rights and the ratification of the 19th Amendment. Her daughter, Katy, reveals a time in the 1940s when she traveled to Georgia, the site of her father’s plantation. There, she attempted to find out more about her father, who died before she was born. In the process, she uncovered shocking secrets, and around the same time, she became pregnant with Jesi, who was born with leg deformities and still requires the use of a brace. At first reluctant to write, Jesi soon divulges her experiences with a black boyfriend during the 1960s’ civil rights movement. In this ambitious novel, Russell vividly portrays the sexism and sense of powerlessness that all four women experienced. Each woman writes five chapters, and the novel alternates between them, sometimes abruptly. The author devotes most of the novel to the two eldest women, but Katy’s and Jesi’s stories are no less complex, and seem shortchanged by the narrative. It sometimes isn’t clear whether a character is writing, remembering past events or reading from journals or letters. Readers may feel that it takes considerable time to get to know each character, but once the women become familiar, the story reads much more smoothly. Despite a few grammatical errors and a somewhat protracted length, the novel manages to enliven and enhance a momentous period in history.

An edifying historical saga for readers interested in the evolution of women’s rights.

Pub Date: July 20, 2014

ISBN: 978-1497348936

Page Count: 496

Publisher: CreateSpace

Review Posted Online: Nov. 4, 2014

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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