A tale about the difficulty of communication that suffers from that same problem.
An unnamed man and woman reunite to talk about life, love, and what went wrong in this debut novella.
A woman texts a man out of the blue to meet and talk. He agrees. “Let’s start from the end,” he says as they drive around in his car, get food, and attempt to say the things that need to be said. But conversation proves harder than he imagined. They make small talk about his daughter, movies, and television shows. Sometimes they say nothing at all. Then one of them makes an effort: “This time he broke the silence and asked her, ‘Do you know anything about nothing?’ Now she let the question sink in and after an elongated pause replied, ‘Nothing.’ This infuriated him and he said, ‘You are not allowed to skip it as I want to know what you know rather than what not.’ ” They pull into a park and walk around in the night, discussing the purpose of lies, the momentary nature of life, and the pressure of expectations. They drive to a graveyard, finally at ease with each other, and try to describe the hollowness that they feel in their lives. Is one night long enough to reveal everything in the human heart? Is such an act even possible with someone you love? The novella has an intriguing premise and a simple, clear structure, and one could imagine a version of it that gets at the universal need for closure following a significant relationship. But Gupta places unnecessary constraints on himself by refusing to allow the characters to be specific people. The unnamed protagonists converse in a manner that is likewise anonymous, avoiding references to particular individuals or events in favor of abstract philosophical discussions. These talks are made all the more difficult to follow due to the author’s shaky, obfuscating syntax (which is accurately reflected in the work’s odd title): “There was some ad playing on the radio in a low volume giving a background score to dilute the friction. Every word wanting to come out seemed fake and hollow. His phone was resting in front of him and it reminded him of the text she sent today, ‘Can we talk till we have nothing to talk?’ ” As a result, the story feels fractured and self-indulgent rather than illuminating.
A tale about the difficulty of communication that suffers from that same problem.Pub Date: Aug. 1, 2019
ISBN: 978-1-64587-244-3
Page Count: 112
Publisher: Notion Press
Review Posted Online: Dec. 18, 2019
Review Program: Kirkus Indie
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
