A well-written, descriptive, and dark creation story.
Fallen angels battle for survival in Quiroz-Vega’s (The Basement, 2013) fantasy novel.
In the beginning, God created angels. His companions reside in Floraison, a beautiful and joyful location in the lowest level of heaven. Though given free will, they must be obedient and remain chaste. For the angel Lilith, this is a difficult proposition. Though she longs to be first in God’s eyes, Lilith questions the rules. Her slyness and disobedience cause turmoil and division among the angels. When God sorts the angels in a hierarchy, Lilith is unhappy. When God creates humans, Lilith is enraged and jealous. She sows the seeds of an uprising, eventually seducing Lucifer and encouraging him to revolt against God. A vicious battle ends in defeat for Lilith, Lucifer, and their allies. They are cast out of Floraison and banished to Earth, changed in form and ability. Some are given monsterlike characteristics, including Lilith, who is now half serpent. Lucifer becomes Satan, complete with red visage and spiky horns. The fallen angels struggle to find each other and battle to survive on the alien planet. They are vulnerable and able to be wounded by elements in their ecosystem. Though the angels can now enjoy pleasures of the flesh, it’s often violent and painful, especially for Lilith. Rather than experience heaven on Earth, the fallen angels lie, deceive, and suffer. Lilith craves revenge upon God, the angels, humans, and ultimately Satan himself. Quiroz-Vega offers a dark creation tale, a prologue of sorts to Adam and Eve. It’s a compelling narrative that provides background on several well-known, supernatural figures. Though obviously religious in nature, Quiroz-Vega’s book strays far from traditional biblical text. Sea monsters, mermaids, and vampires share the stage with angels and demons. And illicit (and explicit) affairs, violent battles, and graphic injuries abound. Quiroz-Vega’s prose is incredibly descriptive. The fallen angels, including a transformed Beelzebub, whose “arms and legs appeared gelatinous, punctuated by lumps of broken and calcified bone,” are painted with horrifying clarity.
A well-written, descriptive, and dark creation story.Pub Date: Aug. 1, 2017
ISBN: N/A
Page Count: 527
Publisher: Dog Ear Publisher
Review Posted Online: July 17, 2017
Kirkus Reviews Issue: Aug. 15, 2017
Review Program: Kirkus Indie
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
These letters from some important executive Down Below, to one of the junior devils here on earth, whose job is to corrupt mortals, are witty and written in a breezy style seldom found in religious literature. The author quotes Luther, who said: "The best way to drive out the devil, if he will not yield to texts of Scripture, is to jeer and flout him, for he cannot bear scorn." This the author does most successfully, for by presenting some of our modern and not-so-modern beliefs as emanating from the devil's headquarters, he succeeds in making his reader feel like an ass for ever having believed in such ideas. This kind of presentation gives the author a tremendous advantage over the reader, however, for the more timid reader may feel a sense of guilt after putting down this book. It is a clever book, and for the clever reader, rather than the too-earnest soul.
Pub Date: Jan. 1, 1942
ISBN: 0060652934
Page Count: 53
Publisher: Macmillan
Review Posted Online: Oct. 17, 2011
Kirkus Reviews Issue: June 15, 1943
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