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THE FAMILY JEWELS

A Mafia tale with good characterization and well-placed comedy.

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In Graziano’s (Die Laughing, 2009) thriller, two brothers who severed their mob ties years ago return to their Manhattan home and become embroiled in the gangster life once again.

Thirty years ago, Tommy Rossini was an enforcer for wiseguy Pauly Fazzula. But when the stress of the job literally gave Tommy a heart attack, Pauly approved his “medical leave” from the Mafia. Tommy becomes a successful businessman in Arizona until he loses everything as one of the many victims of fraudster Bernie Madoff. Meanwhile, his older brother, Jake, married Pauly’s daughter, Bernadette, but later, he gave up all of this mob-associated wealth when he decided to divorce her. He then left New York City and had a string of failed business ventures. Now Jake and Tommy have no choice but to go home to their Parkinson’s disease–ridden mother, Maddie, and her caregiver, Dory. Tommy reluctantly starts working for Pauly again to earn some money, but Jake smartly stays hidden away from the mob boss. Around the same time, Detective Santo Olivetti of the New York City Police Department is investigating the murder of Monsignor Matthew Burns of the Church of the Most Precious Blood. He’s already connected Burns to organized-crime families, and he also has a witness—a priest named Bryce Gleason who may have seen the killer. Soon the priest’s life intersects with Tommy’s, and someone is destined to wind up dead. The Rossinis, with help from their youngest brother, Looney (who never left New York), must devise a plan for dealing with Pauly. Despite a plot that revolves around the mob, Graziano’s tale is surprisingly lighthearted. Violence is mostly implied, and the narrative is largely free of profanity—at least, compared to other gangland novels. This doesn’t diminish the impact of Pauly as a villain, however. His power is without question, and it’s clear that anyone who crosses him will likely die. That said, the author imbues the story with humor, particularly in scenes with the Rossini family. One highlight is Maddie; for instance, when Tommy is upset that Jake would have sex with a woman under their mother’s roof, Jake reminds him that she can’t hear anything. “Right,” Maddie agrees, a good distance away. “I can’t hear anything.” On the romance front, Tommy reconnects with Maria Forzano, a woman whom he left behind when he escaped the mob. Their relationship is convincing as they struggle with burdens—namely, that Pauly seems to have targeted her family-owned shop. Graziano’s no-frills prose provides the plot with a steady tempo. But it also offers lingering moments, as when Tommy walks through his old neighborhood: “On the sidewalks, white-apron-clad vendors hawked fruits and vegetables; and behind the windows of the same shops with sawdust-covered floors, old-fashioned butchers boned legs of veal and wielded scaloppine hammers.” The killer’s identity is apparent rather quickly. Nonetheless, the novel is fraught with tension, as the inevitable showdown with Fazzula could turn out any number of ways.

A Mafia tale with good characterization and well-placed comedy.

Pub Date: March 13, 2018

ISBN: 978-0-692-93682-5

Page Count: 304

Publisher: Ggp Publishing, Inc.

Review Posted Online: Aug. 1, 2018

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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