A masterful volume of poems that captures the sensuality of love in two languages.


A collection offers English and Spanish love poems that explore nature.

This volume opens with both English and Spanish versions of Walt Whitman’s “Out of the Rolling Ocean the Crowd.” Hall then segues into bilingual poems about absence, be it in the form of love for a stranger or a country no one has visited. “Summer” describes an intimate encounter in the hottest of seasons, while “Down River” traces the speaker’s nature walk as she reminisces about her lover: “Every day at dawn, / I recover in my arms / the original caresses when / our bodies rediscovered one another.” “Poem of Love” details how the whole world and even the stars seem to worship the speaker’s beloved. She considers the power the moon has over lovers in “You Stole the Moon From Me” and mourns the dual losses of a birch tree and a partner in “Farewell.” In “Anticipation,” she imagines a future life, full of family, food, and laughter, with her love interest. “Love in the Time of Coronavirus” wonders about what humanity has learned, if anything, from the Covid-19 pandemic. The poet concludes with “That Man,” which evokes spiritual, if not blatantly biblical, imagery as it imagines a deity walking along the ocean’s shore, “deciphering the human enigma.” Hall has mastered brevity; as Whitman himself might say, her poems contain multitudes even when they span as few as seven lines. Her poems drip with desire in verses like “To voice your name, / my lips hunger, and / savor every syllable until I’ve said it.” Her descriptions of the physical world are vivid and entice the senses, as when she writes of a garden where “white flowers perfume the air, / hummingbirds nibble nectar” and recalls “the heart of a rose beating in / the palm of my hand.” Her translations are not only grammatically accurate, but also aptly convey deep emotions in both English and Spanish. If there is a flaw in this collection, it is that some of the poems could have been further fleshed out; the author often leaves readers wanting more.

A masterful volume of poems that captures the sensuality of love in two languages. (dedication, index)

Pub Date: Feb. 24, 2021

ISBN: 978-1-64-913058-7

Page Count: 60

Publisher: Rosedog Books

Review Posted Online: July 16, 2021

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Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

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The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.

Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.

Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

Pub Date: Oct. 18, 2022

ISBN: 978-1-668-00122-6

Page Count: 352

Publisher: Atria

Review Posted Online: July 27, 2022

Kirkus Reviews Issue: Aug. 15, 2022

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A tale that’s at once familiar and full of odd and unexpected twists—vintage King, in other words.


Narnia on the Penobscot: a grand, and naturally strange, entertainment from the ever prolific King.

What’s a person to do when sheltering from Covid? In King’s case, write something to entertain himself while reflecting on what was going on in the world outside—ravaged cities, contentious politics, uncertainty. King’s yarn begins in a world that’s recognizably ours, and with a familiar trope: A young woman, out to buy fried chicken, is mashed by a runaway plumber’s van, sending her husband into an alcoholic tailspin and her son into a preadolescent funk, driven “bugfuck” by a father who “was always trying to apologize.” The son makes good by rescuing an elderly neighbor who’s fallen off a ladder, though he protests that the man’s equally elderly German shepherd, Radar, was the true hero. Whatever the case, Mr. Bowditch has an improbable trove of gold in his Bates Motel of a home, and its origin seems to lie in a shed behind the house, one that Mr. Bowditch warns the boy away from: “ ‘Don’t go in there,’ he said. ‘You may in time, but for now don’t even think of it.’ ” It’s not Pennywise who awaits in the underworld behind the shed door, but there’s plenty that’s weird and unexpected, including a woman, Dora, whose “skin was slate gray and her face was cruelly deformed,” and a whole bunch of people—well, sort of people, anyway—who’d like nothing better than to bring their special brand of evil up to our world’s surface. King’s young protagonist, Charlie Reade, is resourceful beyond his years, but it helps that the old dog gains some of its youthful vigor in the depths below. King delivers a more or less traditional fable that includes a knowing nod: “I think I know what you want,” Charlie tells the reader, "and now you have it”—namely, a happy ending but with a suitably sardonic wink.

A tale that’s at once familiar and full of odd and unexpected twists—vintage King, in other words.

Pub Date: Sept. 6, 2022

ISBN: 978-1-66800-217-9

Page Count: 608

Publisher: Scribner

Review Posted Online: June 22, 2022

Kirkus Reviews Issue: July 15, 2022

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