A masterful volume of poems that captures the sensuality of love in two languages.
A collection offers English and Spanish love poems that explore nature.
This volume opens with both English and Spanish versions of Walt Whitman’s “Out of the Rolling Ocean the Crowd.” Hall then segues into bilingual poems about absence, be it in the form of love for a stranger or a country no one has visited. “Summer” describes an intimate encounter in the hottest of seasons, while “Down River” traces the speaker’s nature walk as she reminisces about her lover: “Every day at dawn, / I recover in my arms / the original caresses when / our bodies rediscovered one another.” “Poem of Love” details how the whole world and even the stars seem to worship the speaker’s beloved. She considers the power the moon has over lovers in “You Stole the Moon From Me” and mourns the dual losses of a birch tree and a partner in “Farewell.” In “Anticipation,” she imagines a future life, full of family, food, and laughter, with her love interest. “Love in the Time of Coronavirus” wonders about what humanity has learned, if anything, from the Covid-19 pandemic. The poet concludes with “That Man,” which evokes spiritual, if not blatantly biblical, imagery as it imagines a deity walking along the ocean’s shore, “deciphering the human enigma.” Hall has mastered brevity; as Whitman himself might say, her poems contain multitudes even when they span as few as seven lines. Her poems drip with desire in verses like “To voice your name, / my lips hunger, and / savor every syllable until I’ve said it.” Her descriptions of the physical world are vivid and entice the senses, as when she writes of a garden where “white flowers perfume the air, / hummingbirds nibble nectar” and recalls “the heart of a rose beating in / the palm of my hand.” Her translations are not only grammatically accurate, but also aptly convey deep emotions in both English and Spanish. If there is a flaw in this collection, it is that some of the poems could have been further fleshed out; the author often leaves readers wanting more.
A masterful volume of poems that captures the sensuality of love in two languages. (dedication, index)Pub Date: Feb. 24, 2021
ISBN: 978-1-64-913058-7
Page Count: 60
Publisher: Rosedog Books
Review Posted Online: July 16, 2021
Review Program: Kirkus Indie
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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