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COMPUTER ONE

Acclaimed for his two recent novels, The Rationalist (1994) and Gents (1997), British writer Collins shows a less subtle side with this publication of an earlier work, a talky apocalyptic tale first published in 1993 in England. In the 21st century, humankind's main problem has to do with increased leisure time—and how to fill it—since a massively networked supercomputer, Computer One, has taken over everything from climate control to its own maintenance. Utopia proves a delusion, however, when biology professor Yakuda, in an address to a symposium on leisure, neatly links Darwin, Konrad Lorenz, and a sudden increase in atmospheric radioactivity to suggest that the master computer—which, since it's self-replicating, is now by definition a species itself—is taking steps to eliminate its main rival, Homo sapiens. Yakuda and a colleague are attacked soon thereafter when mirrors, part of a solar-power station, focus on them as they go for a stroll: Yakuda's friend is fried, but Yakuda himself, only partially burned, is rescued by ``externals,'' members of a separatist community who belong to a larger network of anti-computer groups living underground and avoiding contact with surface dwellers. When the professor recovers, he makes his rescuers aware of their peril, but it's not until a neighboring group of externals is wiped out by a virus, despite their precautions, that his warning hits home. Yakuda and a team of anti- computer specialists race to devise a means to fight Computer One; as they do, he has to watch not only his former society, but all animal and plant life, systematically exterminated. A supervirus finally renders Computer One nonfunctional—but Yakuda and his team return to base to find that an all-too-human tragedy has struck. A chilling story, but one has to look beyond the talking heads and an Ayn Rand style of pontificating to appreciate it.

Pub Date: Nov. 1, 1997

ISBN: 0-7145-3033-6

Page Count: 288

Publisher: Marion Boyars

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 15, 1997

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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